We are very lucky to be hosting an event later this month with author, Sarah Matthias. This will take place later today (Monday 23 April), which happens to be World Book Night, at Brompton Library. For… More
We are very lucky to be hosting an event later this month with author, Sarah Matthias. This will take place next Monday 23 April, which happens to be World Book Night, at Brompton Library. For more information about the event and how to book, visit our website
Sarah has very kindly answered some of our questions about her book, ‘A Berlin Love Song’ and we will publish her responses in three parts – this is the second part and the third and final part will follow next Monday. You can catch up with the first part here
We hope you enjoy them, so over to Sarah…
How did you go about doing your historical research?
I’m meticulous about historical research. I try to be as historically accurate as I can. I’m very aware that sometimes a novel might be the only literature a reader will read about a subject, so I feel I have a certain obligation not to mislead. Of course, you can always say that a novelist isn’t a history teacher and if the reader wants to know about history they should read a history book – but I know lots of people who enjoy historical novels who wouldn’t read non-fiction.
I try to do as much research as I can. It helps me to create that ‘authentic voice’ that is so important to me. There are lots of excellent diaries and contemporaneous accounts written by Germans. I also read German newspapers from the time to see what was being reported and what sort of propaganda was out there. In addition to diaries and memoirs there is a mountain of black and white photographs and newsreel to watch, so finding out about clothes and how the streets of Berlin looked, for example, was not a problem. Sadly, there are also many pitiful photographs of Auschwitz. I visited Auschwitz more than once to see it for myself, but there are plenty of contemporaneous photographs too. Through this research, I was able to piece together in my own mind what Auschwitz must have looked like. When I was researching the Romanies I read as many accounts as I could find by Romanies who had been in Auschwitz and managed to escape or survive there to the end of the war. There are not many of these, but those I found I read avidly. I also bought a book when I was visiting Auschwitz – part of a series called Voices of Memory. It’s full of accounts by Romanies of what it was like to be incarcerated there.
I always go about my research in the same way. I start by simply reading. I read and read around the subject and as I do the plot begins to form in my imagination. I read serious history books about the period and memoirs written by real characters from the past. Gradually my characters start to emerge from the mist and then I create ‘character boards’ – A3 pieces of card with photographs and little bits of imagined dialogue, descriptions of how my characters might look, what they might have worn, and what their personalities might be like. I write reams of notes from books about all sorts of subjects which might or might not be relevant in the end. I have big A4 notebooks I buy from Rymans divided up with coloured dividers and I label each section. So for example, for A Berlin Love Song, I had sections entitled: Hitler Youth, the Hartmann family home, Air Raids, Music, Propaganda, Religion etc. I had a separate A4 note book for the war years, each year 1939 – 1945 having its own section. I then researched weather for every day of every year of the war. You can obtain weather reports for years gone by. The internet is wonderful! So, every day in my story has the correct weather and for the bombings the correct phases of the moon, and every bomb mentioned was dropped at the right time in the correct weather conditions. When writing about the bombing of Berlin, I listened to a really harrowing recording I found on YouTube of an Allied bombing raid, actually recorded in the cockpit of a Lancaster bomber as it flew from England to drop its bombs over Berlin. I found it terrifying, chilling, nauseating … words can’t describe how I felt as I listened to it. War is so terrible. It affected me for days.
Some of the accounts you must have read in order to illustrate what the characters in the book went through in the prison camps must have been very difficult to read. How did you cope with this?
It was very difficult. Sometimes I felt so sickened by what I read that I felt I couldn’t carry on with the research, especially when I came to the detailed research about Auschwitz. I suppose the way I coped with it was always to try to find the good people amidst the despair and horror of it all – the Jewish prisoner doctors who worked tirelessly to help their fellow prisoners and the few SS who tried to help people get on the transports out of the camp. Alongside the many accounts of inhumanity and degradation that I read, there were many stories of bravery and selflessness to counterbalance the despair that I sometimes felt. I tried to concentrate on the uplifting and nourishing stories of people who risked their lives to protect others, rather than on the stories of inhumanity. Many, many people collaborated with the Nazis, but there were also many in Germany who actively assisted victims by purchasing food for households to whom shops were closed, providing false identity papers for those at risk of arrest, and sheltering those who evaded capture. I hope that A Berlin Love Song ends with a message of hope.
Nazi Propaganda posters encouraging young people to join the Hitler Youth
Did you have the opportunity to speak with members of Hitler Youth and Romani survivors?
My father had a close friend, Pastor Knott, a German Lutheran pastor who he met after the war. My father got to know him when they were working together in Coventry on a post-war reconciliation project. Pastor Knott had been forced to join the Hitler Youth as a boy. His family were anti-Nazi but it was the law in Germany at that time that you had to join up. Your parents could be sent to concentration camps if you didn’t and children who didn’t join could be sent to orphanages. Pastor Knott spoke a lot about this when I was younger and I remember him well. When I was writing A Berlin Love Song I wished he’d still been alive for me to ask questions, but I did find a wonderful TV programme online about the HY and there were lots of old men talking about life in the HY, so I listened carefully to their interviews and took notes, and some of my dialogue and descriptions were inspired by these interviews.
I also read all the first-hand accounts of the war by Romanies that I could find, but I couldn’t find any living ones to speak to. The problem is that people who were teenagers in the war are now very old or will have already died. Also, I’d have needed to find them in Germany and I couldn’t manage that. However, I did find about 4 hours of recorded interviews with Dina Gottliebova, the Czech Jewish artist who worked in the Zigeunerlager – the Gypsy Family camp in Auschwitz. She was forced to paint portraits of the Roma for Dr Mengele for his book on genetic research. She was an old lady in the recordings but she spoke so vividly about her memories of the Roma and the Romanies she had known and painted that they came alive in my imagination. She was the most amazing, lovely, generous hearted woman, and the relationship she had with Lili in the novel was inspired by these interviews that I watched.
I also knew two Auschwitz survivors very well indeed. The mother of my best friend at university was a Polish Catholic intellectual who’d been in the Resistance and had come to England after the war. She was terribly badly affected by her experiences in Auschwitz. She suffered from serious depression for the rest of her life. Our next-door neighbours when I was a child growing up had also experienced life in a concentration camp. They were German Jewish refugees and Mr Adler had been in Auschwitz too. They were great friends of my parents. He was a very skilled dentist. It had a profound effect on me as a child – seeing a proud professional man with his own business cry when he talked about his experiences during the war.
We’ll be back next Monday with part III, and please do book your free place for our event with Sarah, link at the top.
Today, Thursday 12 April, marks Chelsea Library being in its current location on the Kings Road for 40 years. Over to the staff there to tell us more…
After having spent its youth and most of its middle years in Manresa Road, Chelsea, one fine spring day in 1978 a new library for the now “Royal Borough of Kensington and Chelsea” opened here at Chelsea Old Town Hall.
At the time of the relocation the King’s Road was arguably a much more diverse place and the vibrant and challenging, fashion and music scenes of the time were very much in evidence along the road.
Some local faces and places were captured for posterity by an ex-member of staff and quite a few of her images are included, with gratitude, in a display here at the library. Also included are some images of the library as it was when it was first opened.
To mark this anniversary we will be running a birthday card making workshop with 70s fashion theme in the style of designer Celia Birtwell as the library has an amazing Costume and fashion collection.
The workshop will take place today in Chelsea children’s library 3 to 5pm with some refreshments. We will also have some games, musical chairs, pass the parcel…come and help us celebrate!
Forty years young at Chelsea Old Town Hall!
To celebrate 2018 being the centenary of women’s right to vote, we are reviewing one book a month by a female author. We started things off last month, on International Women’s Day, with ‘The Power’ by Naomi Alderman.
For April, I’ve chosen the poignant ‘Birdcage Walk’ by Helen Dunmore. As we are celebrating female authors, I felt it was appropriate to choose a novel that explores how a female writer from the eighteenth century could be completely forgotten by history.
‘Birdcage Walk’ is set in Bristol during the outbreak of the French Revolution. The main character is Lizzie Fawkes, a young woman conflicted by the ideals instilled in her by her radical, writer mother and her sense of duty to her husband. We witness how all the characters are affected by the revolution in Europe. Lizzie’s feminist mother and her friends welcome the change that the revolution promises. But for Lizzie’s husband, a property developer, the uncertainty the revolution creates means disaster.
I thought the plot was brilliantly unpredictable and all the characters were complex and well rounded. I felt the prologue added an interesting perspective as before we even meet any of the protagonists, we learn that their story will be almost entirely lost to history.
My favourite aspect of ‘Birdcage Walk’ is how personal it feels, as despite being historical fiction it gives an intimate view of one family’s life.
See you in May for our next review.
Philippa, Brompton Library
We are very lucky to be hosting an event later this month with author, Sarah Matthias. This will take place on Monday 23 April, which happens to be World Book Night, at Brompton Library. For more information about the event and how to book, visit our website
Sarah has very kindly answered some of our questions about her book, ‘A Berlin Love Song’ and we will publish her responses in three parts – the first part is today and the second and third will follow on the next two Mondays. We hope you enjoy them, so over to Sarah…
The fate of the Romani people in WW2 has been called the ‘forgotten holocaust’. Why do you think it’s important that we don’t forget what happened to them?
Many people have little or no knowledge that the Roma were targeted by the Nazi regime on racial grounds and that up to half a million Roma died during the Second World War. Despite the welcome opening of the beautiful memorial in Berlin’s Tiergarten Park by Angela Merkel, the German Chancellor, in 2013, today the Romani community remains one of the most disliked and least tolerated minorities in Europe. And alarmingly, anti-Romani hostility is on the increase, aggravated by growing far-right extremism. The Roma are still scapegoats, frequently victims of prejudice and racially motivated attacks, hate speech and hate crime, and facing discrimination in nearly every country where they live. I believe that now more than ever we must stand up against prejudice and hatred when we see them in our own communities. The Holocaust all happened a long time ago, and yet millions of men, women and children have been murdered since in genocides in Cambodia, Rwanda, Bosnia and Darfur. In today’s world, racial abuse and hate crime is still very much in the news so it is more important than ever, as the people who witnessed the Holocaust during WW2 are growing older and dying, to keep the memory alive of what can happen when prejudice and hatred are left unchallenged.
A Berlin Love Song also reflects on what happened to normal German families at the time and the difficulties they faced. Was it important to include this perspective?
Since A Berlin Love Song is set entirely in Germany and about Germans, I felt it was essential to make sure that the story was told exclusively from the German point of view. I was very careful not to read anything about the home front in England to make sure that my characters had an authentic German feel. There is so much written about the home front in England that it would have been very easy for me to rely on those sorts of books, but I was very careful not to be tempted. It wasn’t too difficult as there are lots of diaries and memoirs written by Germans who lived through the war years and many of them are published in translation. I have schoolgirl German but I was very relieved I could read most of them in English. I did have to tangle with a couple of books in German that I couldn’t find in translation and it was very time consuming. I was also very careful to try to write without the benefit of hindsight. The challenge of writing historical fiction is that the characters cannot know what happens next even though the writer does, and you need to bear this in mind when you are writing, so that events from the war years feel contemporary and authentic, and that conversations and people’s reactions to events feel right for the time.
We’ll be back next Monday with part II, and please do book your free place for our event with Sarah, link at the top.
On 4 April it will be 50 years since the world was shocked by the assassination of Dr Martin Luther King Jr in Memphis, Tennessee. Our display of books from the Biography Collection at Kensington Central Library this month is about the African-American civil rights movement of the 1950s and 1960s, in which he was one of the key figures.
When the movement began there already existed certain civil rights for black people in the US at a federal level; an issue was ensuring their enforcement by the federal government against the wishes of state governments in the South controlled by (rich) white people. These civil rights included various amendments that had been made to the US federal constitution following the American Civil War. These had ended slavery and given African-Americans citizenship and the vote (the last for males only, in line with the law for whites at the time).
However, these legal equalities between blacks and whites could only be effectively imposed in the South by the use of force by the federal government in the face of fierce resistance, and once troops were withdrawn in the late 1870s , black people were gradually intimidated out of political participation, leading to a simmering compromise whereby slavery had been ended but Southern states passed local laws denying equal civil rights and imposing segregation, which were not effectively opposed at federal level.
In the 1950s, this still unresolved conflict led to the civil rights movement. Segregation and systematic abuse continued to degrade and brutalise black people in the South; lynchings went uninvestigated, corrupt authorities advanced a racist agenda, and black people who had fought in the armed services during World War II against the most racist of fascist ideologies found on their return that they were treated as second class citizens in their own country. The civil rights movement achieved limited legalistic effects – limited, certainly with hindsight, because massive inequality in access to material resources partly along racial lines persists in the US as in all of human society at present.
Like all campaign movements, the civil rights movement encompassed various strands, organisations, and personalities: Martin Luther King, with his Christian and pacifist tinged political strategy; the more militant Malcolm X, joining King’s organisation from the Nation of Islam; bodies of the organised working class and university students (these two in particular encompassing many whites); and many more.
We have aimed in the books we have chosen to go beyond the better known figures, exploring the stories of many people associated with the civil rights movement in many ways. So, as well as biographies of King, Malcolm X and Rosa Parks, we have books on performers like Nina Simone and Paul Robeson, whose commitment to the struggle was interwoven with their art, and sports stars like Muhammad Ali and Jackie Robinson, who refused to separate their identities as world famous sportsmen from the injustices inherent in their experiences as black citizens.
In the realm of very personal stories, we have James McBride telling the story of the marriage of his white mother to his black father against the backdrop of racial intolerance, Jan Carew recalls travelling with Malcolm X and their intimate discussions about his world view, and Charles Denby’s Black Worker’s Journal gives a detailed and evocative picture of life in a Detroit car factory negotiating the assaults of race and class prejudice. We hope this display will deepen and broaden our perspective on a movement which continues to reverberate.
The Biography Store Team, Kensington Central Library
Katherine Arden is the author of the Winternight trilogy, three books based on fairy tales set in snowy, medieval Russia. She will be at Brompton Library on Thursday 5 April and she will read from her new book, The Girl in The Tower and answer questions about her stories.
It’s a free event which is suitable for children aged 14 and over, book via Eventbrite
As we’re so excited about this – Katherine has answered some questions already! Over to her…
What books would you like to read this year?
Working on Barkskins by Annie Proulx next up is News of the World by Paulette Jiles. I don’t really plan my reading year.
What is your favourite fairy tale?
Sivka-Burka, King Frost, Vasilisa the Beautiful, the Snow Queen
If you were a character in one of your books, what type of character would you be?
A bard, possibly with magic powers. This is a future book that I haven’t written, but hey I have time.
How often do you write?
The goal is five days a week, 2K words a day when I’m drafting.
You have lived in many places, what is it about Russia that so inspired you?
Everything! The people, the weather, the landscape, the history, the literature.
What is your favourite book?
It’s a series, but The Lymond Chronicles by Dorothy Dunnett.
If you could give your younger self advice about writing a book, what would it be?
Don’t give up. You can do it.
You have said that writing is lonely, how do you deal with that and keep writing?
Take time for friends, keep people around.
What do you most love about being a writer?
The ability to travel when I want and set my own schedule.
What was the last thing you watched on Netflix?
Don’t have a Netflix subscription. It’s a giant time sink.
What do you most like to do when you are not writing?
I like to hike, ski, swim, and read!
If you could live in any book world, which would it be?
Redwall Abbey. I’d be a badger or a hare and just eat all day.
Thanks again to Katherine for taking the time to speak to us, and don’t forget to book a place to meet her on Thursday 5 April.
Fiona at Brompton Library
Today, Thursday 8 March is International Women’s Day; a date to inspire and celebrate women around the world, a celebration that began for over a century ago. It started with the campaign for better pay and voting rights and this is particularly pertinent this year as 2018 marks 100 years since women were first given the vote.
To celebrate, we will be reviewing one book a month written by inspirational female authors.
We’ll start things off with the electrifying ‘The Power’ by Naomi Alderman.
Like a lot of great plots, ‘The Power’ is based on a “what if?” idea. What if women suddenly had the power to cause incredible pain with the flick of their fingers? This is exactly what happens in this novel and we get to witness how this changes everything on a global scale.
Although we are shown the impact on the entire world, the book focuses on four main characters. There’s Roxy, the teenager from a criminal background who discovers the extent of her new found ability, and there’s Margot, ambitious for more political power. Then there’s Allie, who walks away from her troubled childhood to become the leader of a new religion. And there’s Tunde, a young male reporter who witnesses the dramatic global events unfold.
I loved how much this book toyed with my emotions, as one minute I was euphoric and the next horrified. It is impossible to read this without reflecting on how its themes of power and the abuse of power affect the world today. This will appeal to fans of Margaret Atwood and anyone ready to view the world differently.
See you next month.
Philippa, Brompton Library
This month the theme of our Biography Collection display at Kensington Central Library is ‘Post-War British Actors’. From the iconic glamour of Elizabeth Taylor and Richard Burton to the compelling stories of more recent stars like Emma Watson and Benedict Cumberbatch, we have a range of fascinating biographies which give an insight into the worlds of film, theatre and TV as they have evolved over the last seven decades.
It’s a huge field, but we are putting particular emphasis on actors who have written their own memoirs – several, like Dirk Bogarde, were gifted writers whose reminiscences have become classics, and Rupert Everett’s beautifully written memoirs contain some of the funniest scenes I’ve ever read! As it is Oscar season, we’ll also be including as many UK actors as possible who have been honoured with one of the world’s most famous trophies.
If reminiscences of stage and screen interest you, you are sure to enjoy hearing actor Robert Gillespie read from his new memoir ‘Are You Going to Do That Little Jump?’ A hilarious, poignant, and at times provocative assessment of the profession that has been his life’s work. Join him on Tuesday 20 March 2018, 6.30 to 7.45pm at Kensington Central Library. Book your free place via Eventbrite
The Biography Store team at Kensington Central Library
On Thursday 1 February 2018, Chelsea Library joined hundreds of other libraries and schools in celebrating a special Harry Potter Book Night: Fantastic Beasts at Chelsea Library. It was a challenge to organize such event on a Thursday, after school, when children have arranged activities, but we had a great turnout. Suddenly, we had several Harry Potters, Gryffindor girls, wand duelling in the biography section under the watchful eye of J.K. Rowling (and alerted parents), toddlers who wanted to join in (and got a chance to colour Hedwig). A fantastic start!
We prepared a selection of exciting activities to mark this unique event: from arts and crafts, quizzes and games, word searches, and our photo competition ‘Magical creatures and architecture’. Although the idea was to place Harry Potter enthusiastic fans into various Hogwarts houses, we soon gave up as most of them wanted to be with their friends in Gryffindor. They all got house stickers and, after the welcoming introduction, we began with the first activity: decorate your magical creature.
I sketched the outline of four magical creatures – dragon, phoenix, griffin and hippogriff – four groups of children around four tables, had a task to decorate in 30 minutes their beasts to win reward points. Colouring pencils, crayons, feathers, felt tips and all sorts of collage papers were available. The team work was exceptional; and the parents got involved as well! While me and my colleagues, Christian, Colette ran around checking their progress. With so much fantastic creativity and effort, it was a very difficult task to choose the winners.
Luckily, we were able to declare all four groups the winners since so many of the local shops and restaurants in the King’s Road – Habitat, Pizza Express, Tiger, Venchi and Waterstone’s– had generously donated prizes and Waitrose had donated food for the event. The library almost looked like Weasleys’ Wizard Wheezes shop. What a joy! I felt great giving out the presents to cheering children.
These are the final masterpieces!
Lots of entries for our photo competition, ‘Magical creatures and architecture’ arrived two weeks before the closing date. I’ve noticed that many of us take for granted beautiful architecture we pass on our way to work, to school, to the local park etc. J. K. Rowling’s magical creatures – dragons, griffins, hippogriffs, snakes, witches, mermaids, fairies, nymphs, sphinx … well they can be seen everywhere in London. When Christopher Wren designed St Mary-le-Bow church in Cheapside, after the Great Fire of London, he probably did not have Harry Potter in mind. Nevertheless, on the tall church spire a huge dragon holds a golden sphere! If you haven’t seen it, go and check for yourself.
Four judges – Roberta, Liam, Silva and Shaun – came, seriously observed the photographs and decided that Tabitha’s entry was the best. Maximilian, Carla, Max, Arthur, Lorenzo, Marko, Mateo, Jacopo, Tristan, Jack, Fredie, Maya, Noeleen, Leon, Leonella, Mila and another Leon were other successful competitors. All the children, who were rewarded by points from out judges, received prizes.
It was time for a quick snack and to get ready for the master quiz. While some younger participants needed to move from ‘watching films’ to reading Harry Potter books, several children showed admirable knowledge. Colette was very impressed!
We finished the party by playing musical-magical-statues and had great fun.
There were more activities ready in my ‘sorting hat’, but we didn’t have enough time. Next time! Meanwhile, don’t forget:
“Never Tickle a Sleeping Dragon.”
Zvezdana, Chelsea Library
This month’s display of books at Kensington Central Library from our Biography Collection is to mark that 100 years ago today women got the vote for the first time.
On 6 February 1918, royal assent was given to the Representation of the People Act, and for the first time over 8 million British women were entitled to vote. The original legislation enfranchised only those women who were over 30 and owned property above a certain value, or who were university graduates still living in the constituency of their university. (It took another decade for women’s eligibility to vote to be based on the same terms as men’s.) It was widely considered to be a recognition of women’s role in the First World War (as almost thirty years later, their role in the Second led to women being given the vote in France), but the change in the law was also preceded by several years of increasingly militant protest and agitation by women determined to end their exclusion from the democratic process.
This month, we mark the centenary of this momentous legislation with a special display of suffragette and suffragist biographies from our special Biography Collection in Kensington Central Library. From the most famous names of the movement, like the Pankhursts, to working class women like Annie Barnes, campaigners for the female franchise left fascinating accounts of how they struggled and why. Picking up the resonance of the bitter conflicts of a century ago, we can also hear the voice of Mrs Humphry Ward, a passionate opponent of women’s suffrage.
I was unable to put down, amongst others, the memoir of Lady Constance Lytton, who created an alter ego, complete with physical disguise, so as to serve her sentence in Holloway Prison without deriving any benefit from her aristocratic status. Her intimate, immediate account of the conditions of the suffragette prisoners as they were force fed, tortured by being hosed with water, and degraded with filthy clothes and bedding, is a deeply shocking reminder of how much was endured for the cause.
To tie in with this display, we are delighted to be marking the service to that cause of a local woman, Kate Parry Frye, with a talk by her biographer Elizabeth Crawford . Elizabeth Crawford will be focusing on the biographies of this Kensington activist and of some of her fellow suffragists, and author Sonia Lambert will be reading excerpts from fictionalised accounts of women’s experiences that she has created based on extensive reading of the testament of suffragettes. The event will take place at Kensington Central Library on Monday 26 February, 6pm – 7.45 pm. Book your free place via Eventbrite
One of the challenges we face with our Biography Collection displays is that some of our most fascinating books are hiding behind some of our least alluring bindings! Although we’re all familiar with the adage “never judge a book by its cover”, we are always looking for ways to entice potential readers to overcome their resistance to borrowing these less than beautiful-looking volumes. This has proved particularly true this month, with some of our truly compulsive suffragette memoirs looking, frankly, a little unglamorous. Our solution is to enhance these with a wrapper showing a picture of the author, and a quote from the text which will hopefully whet your appetites.
The Biography Store Team at Kensington Central Library