The Costume and Fashion Special Collection at Chelsea Library celebrates Black History Month this October. Chelsea Library is home to the Costume and Fashion Collection, a treasure trove of books and magazines chronicling the history… More
The inaugural issue of the first ever African American newspaper, Freedom’s Journal, appeared in March 1827. Its stirring front-page editorial stated “Too long have others spoken for us. Too long has the public been deceived by misrepresentations”, encapsulating the truth that the experiences, needs and ideas of black people could only be expressed through the voices, pens and printing presses of black people. Black journalism has a fascinating and illustrious history, through which a rich tradition of brilliant minds sought to wrest the narrative of black experience from the dominant white commentators, fight the battle against racism and advance the cause of liberation.
As the earliest journalists recognised, no war could be waged – whether against the slave trade, which would continue for another four decades after the birth of Freedom’s Journal, or against lynching, the deprivation of civil rights, racist miscarriages of justice, institutional racism in the criminal justice system, government, and society generally – without a press created by and for black people. Newspapers were the way for individuals and communities to communicate with each other and challenge the racist misinformation that distorted the reality they knew.
Campaigns of huge political importance were carried out through their pages, debates shaped, and injustice exposed. They also fulfilled people’s need for entertainment and leisure at a time when black people could only find themselves depicted in stereotypical caricatures in white media. In this month’s display of books from our Special Collection of Biographies at Kensington Central Library, we mark Black History Month by looking at the stories of some of the most fascinating figures in black journalism.
Some of the biggest names in 20th century black literature, whose stories can be found in our collection, worked as journalists – the poet Langston Hughes was a columnist for Abbott’s Chicago Defender (see below), and the novelist Zora Neale Hurston [pic 1] was also a reporter (one of her most famous pieces of journalism was her reporting of the 1952 trial in Florida of Ruby McCollum, the black woman convicted of murdering the white doctor and “pillar of the community” who abused her over many years).
Lorraine Hansberry, [pic 2] the writer of the celebrated play A Raisin in the Sun wrote for the black newspaper Freedom, which was published by legendary singer and civil rights activist Paul Robeson. Claudia Jones [pic 3], who founded the Notting Hill Carnival, set up the UK’s first black newspaper, The West Indian Gazette.
Anyone who has watched the wonderful Mangrove film in the Small Axe series of films by Steve McQueen will have seen the brief appearance of C.L.R. James, played by Derek Griffiths.
James [pic 4] was one of the most important journalists and historians of the period; he immigrated to Lancashire from Trinidad in 1932 and subsequently moved to London, where he wrote for many newspapers and was a leading figure in Marxist politics. In the late 50s James returned to Trinidad and became the editor of The Nation newspaper, though he spent the last years of his life back in the UK, living in Brixton. James was also an expert on cricket and was cricket correspondent of the Manchester Guardian (now the Guardian) in the early 1930s. Huge names of black history like W. E. B. Du Bois and Marcus Garvey were also journalists, but in this blog post I would like to focus on a few names that may be less well known.
Robert Sengstacke Abbott was born in Georgia, USA in 1868; his parents had been enslaved until not long before his birth. [pic 5]
After practising as a lawyer, in 1905 he founded The Chicago Defender newspaper, which went on to become the most widely read black-owned newspaper. Having himself made the journey from the South to Chicago, Abbott was passionate about what is known as “The Great Migration”, which saw many black people relocate from the Southern to the Northern United States to escape rural poverty and the horrific “Jim Crow” system of racial segregation. (During the first wave of this, between 1916 and 1940, 1.6 million black people resettled in the North.) Abbott used his newspaper to inspire others to make this journey, as he felt black people could have the opportunity to improve their circumstances only when they left the terrible conditions of the South behind. At the same time, he saw all too clearly that racism was also a huge problem in the North, and campaigned for equal civil rights, the end of discrimination in employment and education, and the end of persecution of mixed-race couples. Black railway porters, who in 1925 were to form the first official trade union led by African Americans, increased the paper’s circulation by distributing it on trains. It is estimated that at its most popular, the paper was read by four out of five of all black adults in the entire United States. (The paper still thrives 116 years after Abbott founded it, though two years ago it became online only.) We have a rare early biography of Abbott, written in 1955 by another African American journalist, Roi Ottley, whose career took off in the 1930s and who went on to become the first African American correspondent to file reports on World War Two for major national newspapers.
Born in Jamaica in 1941, Barbara Blake Hannah [pic 6] had been a TV newsreader and a contributor to a magazine run by her father Evon Blake (founder of the Press Association of Jamaica) before she arrived in the UK in 1964 and became a prolific journalist, her work being published in many national newspapers and magazines. In 1968 she became the first black reporter on Thames Television’s first regional news programme, London-based Today. Blake-Hannah interviewed many famous people, but what then transpired is a disgraceful indictment – viewers complained about having a black reporter on the programme, and rather than defending her, Thames Television dismissed her without explanation. She went on to work on a local news programme in Birmingham, commuting from London as no hotel in Birmingham would admit her. She also worked as a researcher on the BBC’s prestigious documentary series “Man Alive.” In 1972, Blake-Hannah returned to Jamaica to work on the ground-breaking film The Harder they Come. She has written extensively about Rastafarianism and was the first Rastafarian senator in the Jamaican Parliament for three years in the 80s. She is now the Chief Executive of the Jamaica Film Academy. Her autobiography Growing Out: Black Hair & Black Pride In The Swinging Sixties came out in 2016 and describes her experience in the UK.
Una Marson [pic 7] was an extraordinary woman who dese. Born in 1905 in rural Jamaica, she escaped her strict upbringing (her father was a Baptist minister) and was already a prolific journalist, playwright and poet by the time she was in her early twenties (at 21 she was assistant editor of The Jamaica Critic and by 23 she had set up her own magazine, the first Jamaican woman ever to do so). She came alone to the UK while still not yet 30 and threw herself into the world of black activism and feminism, travelled in Europe, the USA and Israel, and met such important figures as Paul Robeson and Haile Salassie. She worked alongside George Orwell as a BBC producer during the Second World War, the first ever black woman to be employed by the corporation. From 1942 she produced the BBC radio programme Calling the West Indies; she recreated it as Caribbean Voices, which ran for 15 years and showcased the work of important literary figures including Derek Walcott and V. S. Naipaul. She is considered to be the first major female Caribbean poet and a key voice in the development of feminism.
Finally, George Lamming, who is now 94 years old, was one of those who read Walcott’s poetry on Caribbean Voices produced by Una Marson. [pic 8] In 1951 he came to London from Barbados and began broadcasting for the BBC, and he wrote for the Barbadian magazine BIM. In the late 60s he embarked on an academic career in Jamaica and has been a visiting professor at universities throughout the USA and Australia. His book In the Castle of My Skin was written during his first couple of years in the UK, and though often classified as a novel, it is included in our Special Collection of Biographies because it is considered to be an autobiographical evocation of Lamming’s childhood and youth in Barbados. It is an exquisitely written book, which gives a unique insight into his home island at a particular moment in its history.
This black history month, we hope you will enjoy finding out more about these and other unique individuals from the history of black journalism [pic 9], inextricably interwoven into the history of activism, literature, politics, and culture.
Don’t forget to check out our BioEpic podcast, available on all major podcast platforms- Claudia at Kensington Central Library.
With award season in full swing the longlist for the Women’s Fiction prize has been announced.
*Copies of the books are available for Westminster and Kensington and Chelsea Libraries.
To search the Kensington and Chelsea Libraries catalogue, click the link below: https://trib.ent.sirsidynix.net.uk/client/en_GB/rbkc/
You can select and collect the book or alternatively many are available to download via our new Libby app or via Cloud Library.
This year’s longlist honours both new and well-established writers and a range of genres and themes – family (twins and siblings, mother-daughter relationships); motherhood; rural poverty and isolation; addiction; identity and belonging; race, class and gender; grief and happiness; coming-of-age and later life. The novels span a range of different global settings, from South London to Deep South US; Ghana, Hong Kong, Barbados, Brooklyn and a fantasy realm.
*some books will be available soon or are currently on a waiting list.
Shortlist to be announced 28th April Winner announced 7th July
BOOKSELLER “NIBBIES” AWARDS
The Bookseller has shortlisted its books of the year in various categories:
Hamnet – Maggie O’Farrell
The Evening and the Morning – Ken Follett
The Lying Life of Adults – Elena Ferrante
The Midnight Library – Matt Haig
The Mirror and the Light – Hilary Mantel
The Vanishing Half – Brit Bennett
Exciting Times – Naosie Dolan
Ghosts – Dolly Alderton
Shuggie Bain – Douglas Stuart
The Girl with the Louding Voice – Abi Dare
Such a Fun Age – Kiley Reid
Rainbow Milk – Paul Mendez
Fiction: Crime and thriller:
The Guest List – Lucy Foley
Troubled Blood – Robert Galbraith
The Thursday Murder Club – Richard Osman
The Sentinal – Lee Child
The Patient Man – Joy Ellis
A Song for Dark Times – Ian Rankin
The Thursday Murder Club – Richard Osman
The Midnight Library – Matt Haig
Troubled Blood – Robert Galbraith
A Promised Land -Barack Obama
Grown Ups – Marion Keyes
Greenlights – Matthew Mcconaughy
Piranesi- Susanna Clarke
Think like a Monk – Jay Shetty
Sandman – Neil Gaiman
A Promised Land by Barack Obama
A Life on Our Planet by David Attenborough
Diary of a Young Naturalist by Dara McAnulty
Tomorrow Will Be A Good Day by Captain Sir Tom Moore
Entangled Life by Merlin Sheldrake
Me And White Supremacy by Layla F Saad
Not a Diet Book by James Smith
Skincare by Caroline Hirons
Nadiya Bakes by Nadiya Hussain
Think Like a Monk – Jay Shetty
Five Minute Mum: Give Me Five by Daisy Upton
What Mummy Makes by Rebecca Wilson
Check out these great titles from Westminster and Kensington and Chelsea Libraries.
YA (YOUNG ADULT) BOOK PRIZE 2021 SHORTLIST
10 titles have been nominated for The Bookseller’s YA book of the year, with the winner being announced on 6th May 2021 during the Hay festival. Wide ranging subjects feature in the books, and all titles are available from Westminster and Kensington and Chelsea libraries.
Biographies from the Basement August 2021 – International Cat Day
August 8th is International Cat Day, when the British charity International Cat Care invites us to focus on the welfare of domestic cats and the efforts it has been making for over 60 years to promote cat health and combat neglect. I have dipped into our Biography Store Collection to find out about some lives in which cats played a central role.
Anyone who has ever lived with cats understands how their idiosyncracies are woven into everyday life. Marilyn Edwards and her husband shared their Cumbrian cottage with a series of cats and her descriptions resonate with love and delight.
The Irish playwright and journalist Hugh Leonard documented his life with cat companions with similar tenderness and humour, as did former MI5 operative Derek Tangye, who left a glamorous life amongst London’s intelligentsia to experience seasons full of plants and animals in remote Cornwall. The landscapes of that county were also vital to Helena Sanders, who was active in Cornish politics, though it was far from those rugged shores that she made one of her biggest contributions to animal welfare; in Helena Sanders and the Cats of Venice, Frank Wintle describes how she set up a shelter for stray cats in that beautiful city. In The Cat who Looked at the Sky, Thea Welsh describes how the seemingly sensible arrangement of sharing cat ownership with friends came up against the real demands and foibles of a trio of strong willed cats.
You don’t have to observe even the most cuddly of domestic cats for long to be reminded of their relationship to their wild cousins, the big cats of Africa and Asia. Known for many wildlife TV documentaries, zoologist and photographer Jonathan Scott has lived amongst the lions of Southern Africa for over 40 years. In The Big Cat Man, he describes getting to know a pride of lions intimately as they go about their lives. Big cats also stalk the pages of Tippi Hedren’s The Cats of Shambala - I knew Hedren as the glamorous star of Hitchcock films like The Birds and Marnie; I had no idea that her passion for lions and tigers led her to spend years making the film Roar (1981). Coordinating large numbers of wild cats, many members of the cast and crew sustained serious mauling injuries, including Hedren herself. She set up The Roar Foundation to look after the film’s animal cast, and the Foundation’s Shambala Preserve in California, described in this memoir, is still home to several lions and tigers.
Sometimes, a subtitle of one of the books in the biography store is intriguingly surreal – this is certainly the case with John S. Clarke: Parliamentarian, Poet, Lion-tamer by Ray Challinor. Clarke, one of 14 children in Victorian Jarrow, was still a teenager when he worked in a circus training the lions which were still a staple of circus entertainment at the time, before going on to a career in politics, serving as Labour MP for Glasgow Maryhill from 1929 to 1931. Given how fierce the atmosphere of the House of Commons can be, I imagine his experience of training lions must have given him some useful skills for managing it.
Finally, let’s turn to some memorable fictional cats, and to the artists and writers who created them. The animator Oliver Postgate will forever hold a special place in the hearts of those who grew up in the 60s and 70s, as the creator of The Clangers, Ivor the Engine and other favourites. In 1974 he brought us Bagpuss, the soporific, stripy, endlessly benign and unflustered cat whose waking from sleep brings all the toy occupants of the little girl Emily’s shop to life, and Postgate’s memoir Seeing Things is as enchanting and fascinating as you might expect.
Kathleen Hale, whose widowed mother worked as a travelling salesperson, was fortunate in having her artistic talents spotted by a teacher. She went on to join the artistic scene in London during the First World War, working as Augustus John’s secretary and socialising with the Bloomsbury set. Her children’s book Orlando’s Evening Out (1941) was the first fictional picture book to be published under the Puffin imprint, the children’s arm of Penguin, the then less than 10-year-old publishing house which was to transform access to books for the general public. It featured Orlando the Marmalade Cat, who starred in a total of 19 books spanning almost 40 years, and her exquisite auto-lithographic technique, by which the artist hand-layers overprinted colours to create chromatic blends, are typical of the period. Her wonderful autobiography is modestly entitled A Slender Reputation; she published it at the age of 96, and died at 101.
“The Painter of Cat Life and Cat Character” is an apt subtitle for our beautifully illustrated coffee table biography of Henriette Ronner, as the 19th century Dutch-Belgain painter brought out the singular identities of all the cats she rendered against the silks and velvets, polished wood and well-stuffed upholstery of bourgeois domestic interiors – her feline subjects are so vivid that you feel you could reach out and touch them.
Colette is one of the most important figures of French literature, and throughout her work her love of animals and particularly cats is obvious – though she never sentimentalises, and renders nature in all its light and shade, ambivalence and cruelty. The pedigree Chartreux Saha of her novella The Cat (1933) must be one of the most disconcerting cats in literature, sidling elegantly through the early married life of two young people, inspiring both hypnotised devotion and primal jealousy. We have many wonderful books about Colette in the collection – her My Mother’s House and Sido is perhaps the best introduction to her masterly handling of animal and human relationships.
In the last few years two books about cats by Japanese authors have been enormous bestselling hits: Hiro Arikawa’s The Travelling Cat Chronicles and The Guest Cat byTakashi Hiraide. Eighty years earlier, their compatriot the great Junichiro Tanizaki, often considered the greatest modern Japanese novelist, wrote the unforgettable A Cat, A Man and Two Women. Tanizaki was a literary genius and his memoir Childhood Years brims with his characteristic sensitivity and texture, describing the day to day life of a well to do family in late 19th century Tokyo.
I couldn’t pursue the cat lover’s trail through the collection without pausing at the shelf where many books on Beatrix Potter are to be found. She was originally a local, born in Bolton Gardens (a stone’s throw from Brompton Library) in 1866 and is of course famous for the beautifully painted and characterised animals of her 23 “Tales”. She depicted cats with the same detailed naturalism and sympathy she brought to all her animal subjects – Tom Kitten was always my favourite (he has his own tale and also features in The Tale of Samuel Whiskers) and her other feline creations were Miss Moppet, and Ginger who runs a shop with her friend the terrier Pickles in The Tale of Ginger and Pickles.
Claudia Jessop, Kensington Central Library.
Don’t forget to check out our podcast BioEpic, in which we delve into fascinating lives through our Special Collection of Biographies. Available on Anchor, Spotify, Apple Podcasts, Google Podcasts, Breaker and Pocket Casts.
Marcovaldo, by Italo Calvino
As it’s Plastic-Free July, our book review blog will be the title ‘Marcovaldo’ by Italo Calvino.
This week, Richard from Brompton Library will be reviewing Marcovaldo, by Italo Calvino. Marcovaldo is a collection of Italian stories talking about the beauty and the ugliness of both the countryside and the city.
Over to Richard to tell us more!
“If you’ve ever seen the film, Les vacances de Monsieur Hulot, you might recognise a similar lyrical style that is both poetic and comical in Marcovaldo. The character of the title is an Italian redneck labourer from the provinces with a love of nature, who moves to a large northern industrial city with his family.
The book comprises a collection of stories/chapters that follow this family through the seasons of the year. In the Forest on the superhighway for example, the family go in search of firewood, only to find billboards on the edge of the city; in the night, the short-sighted highway police officer confuses snatches of the family sawing through the panels with the billboard images and assumes they are part of the advertisements. Another story captures Marcovaldo’s reaction to the city transformed by winter snow.2
If you want to try out this unique and compelling read, pick up Marcovaldo today from one of our branches or via ebook –
This month is Plastic Free July, helping to promote the need towards eradicating plastic pollution so that we can have cleaner streets, oceans and beautiful communities.
To mark this important occasion, Montse from Victoria Library will be reviewing ‘This Changes Everything: Capitalism vs. The Climate, which won the Hilary Weston Writers’ Trust Prize in 2014, Canada’s most prestigious award for non-fiction!
Over to Montse!
At the question of: Is it possible to have a green Capitalism? Naomi Klein has a clear answer, and it’s a resounding NO. Klein disguised the myth of capitalism and urges us to rethink our economic and political system. This is an important book that position the debate in the right angle: Earth against capitalism.
We cannot longer deny the disastrous consequences that the depletion of our planet has brought us; droughts, torrential rains, virus, raising see levels, desertification, storms, fires and so on, the list is innumerable. Klein faced us with the biggest threat that humanity has ever experienced: our own survival as species.
This changes everything is a vast book of 572 pages, Klein invites to re-think the economic system that support the current political strategies in relationship to the planet resources and is leading us to disaster: “our economic system and our planetary system are now at war”, it’s time to take your side.
‘This Changes Everything’ can be borrowed from our catalogue in multiple formats including ebook, e-audiobook, and in hard/paper copies too. Click this link to find out more –
Have you read the title? Let us know what you think in the comments below.
Summer is in full swing, and everywhere in gardens, parks, window boxes, and balconies, flowers are bursting with colour. Flowers can be exciting, calming, awe inspiring – and somehow this summer they seem more wonderful than ever. Of course, Chelsea has been home to the Royal Horticultural Society’s fabulous Flower Show for more than a century – this year it has been postponed to September, when I’m sure it will be the treasure trove we’ve come to expect.
Our Biography Collection (Special Collection of Biographies) contains many books about famous gardeners and garden designers, plant collectors and those who developed the scientific understanding of flowers. For this blog post I want to focus on three people who in very different ways have celebrated flowers and deepened our experience of them.
Have a look at these exquisite flower pictures which date from the 18th century; it may surprise you to learn that their creator was a woman who completed almost 1000 of these images between the ages of 73 and 82. You might be further surprised that they are not paintings, but collages. Mary Delany was born Mary Granville in 1700. Aged 17, she was married to a man of 60, as a way of consolidating the political aspirations of her aristocratic family. He died eight years later, and she did not remarry until her early forties, when she became the wife of Irish clergyman Patrick Delany – they divided their time between Dublin and County Down. Both Delanys were keen gardeners and Mary celebrated flowers in a range of creative work, including watercolour, embroidery and collages with shells. Delany felt that delicate tissue paper could most closely evoke the texture of actual flower petals, and eventually perfected her original method which she called “paper mosaic”, building detailed flower images with tiny cut-out shapes meticulously layered, and mounted on black paper to dramatic effect (this was revolutionary, as botanical illustrations were traditionally given white backgrounds, echoing herbaria where plant specimens were always shown against white). She was an expert botanist, and would dissect the flowers before depicting them, to make sure her work was accurate as well as beautiful. King George III and Queen Charlotte became huge fans, as well as friends. She had a circle of other eminent friends, including Jonathan Swift, and the botanist Sir Joseph Banks, who was a key figure in the founding and development of the Royal Botanic Gardens at Kew. We are fortunate in having nine books about Mrs Delany in the collection, including a tiny volume of her letters from 1821 which is illustrated with a silhouette portrait of her at the age of 87 and a 21st century volume of recipes, remedies and etiquette tips gleaned from her letters.
William Robinson‘s career began humbly in Ireland, when he was employed as a teenaged “garden boy” by the Marquess of Waterford. His precocious expertise with flowers led him to become one of the most influential gardeners of the late19th and early 20th centuries. In 1861, when he was only 23, he moved to London to work at Regents Park, where he became an authority on British wildflowers. He wrote a range of gardening books which were so successful that he was able to buy Gravetye Manor in Sussex, where he set about creating a magnificent range of gardens. Robinson championed wild, natural styles of garden design, taking inspiration from the traditional English cottage garden – he railed against straight lines, “carpet” beds of monotonous bright colours, and the formality of topiary and statues (he was very critical of some of the contemporary plantings in Kensington Gardens, which he considered hideous). Instead he promoted the abundance of simple, often neglected, meadow flowers, blurring the boundary between garden and wild countryside, and bringing the Arts and Crafts aesthetic into the garden. His were amongst the go-to books for millions of British gardeners up until the 1930s, when he died and his fame began to fade.
Ross Gay‘s The Book of Delights is quite simply one of the most life-affirming books I have ever read. A collection of essays written over a year, it is a catalogue of the small joys of everyday life, which poet Gay describes with lyricism, humour and an acknowledgement that delight co-exists with pain, and can be rendered more precious by it. In his preface Gay lists nine themes that he traces coming up repeatedly over his year of “delights” – one of them is his garden, and I am including this book because many of its most incandescent passage relate to flowers, and remind us of their power to surprise us and to offer us joy in the middle of whatever else we are going through (in fact, flowers recur so often as a topic that as well as being classified on book websites as “Philosophy” and “Social Sciences”, the book may also be found in “Gardening”; Gay is a passionate gardener and founder of a community orchard in Bloomington, Indiana). Throughout the 102 essays, on a multitude of topics including friendship, loss, the African-American experience and the meaning of community, flowers make repeated appearances and are a recurring motif resonating with hope. Many of the essays focus on the flowers Gay plants, cherishes, unexpectedly encounters and observes with what he calls “supreme attentiveness”. The essay “Flower in the Curb” is a meditation on friendship, memory, loss, our relationship to public space and the serendipity of sudden beauty, all in three paragraphs, and though there is much more than flowers in Gay’s records of his “intense fleeting attentions”, flowers are a constant theme and some of the most memorable and uplifting passages are woven through with their scents and textures, and their profound redemptive meaning to Gay.
- Claudia, Kensington Central Library
…Writers we love!
This week on our blog, Reece from Victoria Library has reviewed the life and work of Kenyan author and gay rights activist Binyavanga Wainaina, over to Reece to tell us more….
“I’m not even sure I want to use the term ‘coming out’”.
Kenyan novelist and Journalist Binyavanga Wainaina, explained that publicly announcing his sexuality did not at all feel like he was stepping out of the darkness and into the light. Instead, it felt as if he was encountering more obstacles and more barriers to social situations. “What is my urinal policy? Do you chat casually with the person next to you as would be the case before?”. He jokingly poses these questions but alludes to a wider notion that there were still hurdles he had to climb because of his sexuality, he alternatively prefers the term “Gay in public”.
Binyavanga’s somewhat unique interpretation of his self-discovery is highly representative of his writing style and career as an author. His satirical collection of essays titled ‘How to write about Africa’ was a powerful attack on the way Non-African writers perceive Africa, deciding to celebrate the richness in culture as opposed to a “dearth” in resources. Binyavanga wanted to challenge popular perceptions of identity, culture and belonging. His fluid and poetic style earned him the Caine Prize for African Writing in 2002, one of the highest achievements in African writing.
Binyavanga was also an experimental writer. During a period in his life where he suffered from depression – he tried what he called “scribble fiction” a way in which he could liberate himself from the struggles of living through his sexual identity. He often wrote piece after piece criticising Kenyan Pentecostal churches and their approach to relationships, it is thus easy to observe how he became sceptical towards religion. But towards the end of his life he did acquire an interest into Pre-colonial Kenyan spirituality. His very first published novel – which was thought to be lost – called ‘Binguni!’ was a story about an African afterlife, featuring a queer prophet and other various entities from the internet world, questioning and enlightening his audience about the prospect of a liberal paradise.
His writing, his identity and his approach to life all flew in the face of contemporary Kenya that was enacting legislation to further criminalise homosexuality. He passed away at the age of 48 after suffering from a stroke in 2019. From starting out as a freelance food and travel writer to being listed in TIME’s 100 most influential people in 2014, his influence on the world of literature and activism can not be understated. Binyavanga Wainaina is undoubtedly a figure worth researching during this PRIDE month and beyond.
“The problem here is that I am a writer. And although, like many, I go to sleep at night fantasizing about fame, fortune and credibility, the thing that is most valuable in my trade is to try, all the time, to keep myself loose, independent and creative… it would be an act of great fraudulence for me to accept the trite idea that I am “going to significantly impact world affairs”
Binyavanga Wainaina’s books can be borrowed for free through our library catalogue – https://trib.ent.sirsidynix.net.uk/client/en_GB/rbkc/search/results?qu=Binyavanga+Wainaina&te=
Why not check one out today?!
Michaela from Church Street Library has given us her review of this year’s Hay Festival. The Hay Festival is one of the biggest annual literary events of the calendar, including a mixture of musical performances and film reviews.
Over to Michaela to read what she thinks of the festival so far…
I have recently enjoyed listening to many authors talk about their books, writing and awards from the Hay Festival.
“The Hay Festival runs from 26th May to 6th June with many events happening throughout day, with activities, talks catered to adult fiction, junior fiction, teen fiction as well award winning to non-fiction titles.
It is a great chance to listen to authors and ask questions. I joined my first event on Monday night to hear Monique Roffey – the 2021 Costa Prize Award winner – talk about her book “The Mermaid of Black Conch”, and she answered my question live!!!!
Monique talked about how she crowdfunded to get her book into print via an independent publisher and fast forward to January, she won a major literary an award. Well done to Monique.
I have also listened to the YA writer Alice Oseman talk about her prize-winning novel “Loveless” which especially during Pride, was a worthy winner. Alice also talked about her comic strip writing of “Heartstopper” series which she loved writing, but it took such a lengthy time. It was great to hear how many young people commented on the Heartstopper series.
Lastly, I listened to Benjamin Zephaniah talking about his latest book “Windrush child “. Set from a child’s perspective, it was great listening to it being read with an older voice, as Benjamin admits with his dyslexia, he gets tongue tied when reading out loud. With Windrush day this month this is certainly a book I want to read. All around he was a delight to listen to.
Many other authors coming up include: Floella Benjamin, Gareth Nix, Sarah Winman and Chris Packham.
This festival has been a must for book lovers, video clips will be available later. 😊”
All books mentioned during throughout the Hay Festival are available to borrow for free from our catalogue – https://trib.ent.sirsidynix.net.uk/client/en_GB/rbkc/
Did you know that we have an insightful podcast exploring the Biography Store Collection?
Over to Katie Williams to tell us more…
“Claudia Jessop and I wanted to seek new opportunities to promote the Biography Store Collection. With over 90,000 items in the collection it is very heavily borrowed by a wide variety of people and we wanted to shine a light more on the people whose biographies or whose lives are not celebrated as much. I have loved reading Claudia’s blogs about our collections and I thought that it would be good to get it out there into podcast form. So we formed a scooby gang, including Emma Marsh and Jackie Hastick, and we set about coming up with ideas for people who we wanted to celebrate and the logistics of how it could work.
We were very fortunate to get support from our Comms team and our first podcast was launched to coincide with our Black History Month 2020 programme. It was an absolute pleasure to celebrate the life of Claudia Jones, who was responsible for the Notting Hill Carnival and who shaped the cultural and social lives of so many people.
Our mission is this: to shine a light on those who have made an impact on our world.
Its been a really amazing experience not just discovering these people but crafting something which people will stream and enjoy. Episode 6 (about the wonderful James Baldwin) and Episode 7 (Lady Charlotte Guest) are now live “
Listen to BioEpic here:
“Every time I see an adult on a bicycle, I no longer despair for the future of the human race” said H. G. Wells, and I think I know what he means – there is something about seeing someone zooming down a hill, or stoically labouring up one, on a simple piece of machinery that uses only human muscle power to get them speedily from a to b, that is both reassuring and inspiring. Cycling is increasingly popular, and as we mark National Bike week from 30th May to 5th June, there can be no question that the more of us take to two wheels, the better it will be for our environment and for our fitness.
Our Special Collection of Biographies at Kensington Central Library contains many books about professional cyclists, Olympians and Tour de France winners, but for this blog post I thought it would be interesting to focus on some people who didn’t cycle professionally, but in whose lives bikes played an important part in a variety of different ways.
The bicycle was vital to the clandestine work of resistance fighters and spies during the Second World War. It enabled operatives to make a quick getaway, travel anonymously, and blend into a crowd. Many heroes and heroines of the Special Operations Executive, responsible for covert operations behind enemy lines, made daring and essential use of their bikes, among them Australian Nancy Wake. Parachuted into France in 1944, Wake’s mission was to liaise with local resistance fighters and distribute the weapons and funds sent to them from Britain. When her team’s radio and codes were lost during fierce fighting with German troops, they were left with no way of updating and contacting the SOE in London; on a borrowed bike, Wake peddled a round trip distance of 300 miles to get access to the nearest means of communication. Without the thousands of bicycles used for essential missions, the outcome of the war may well have been different. Wake’s story and those of many of her valiant colleagues are told in Squadron Leader Beryl E. Escott’s Heroines of the SOE from our Collected Biography part of the collection (biographies of groups of people – this is a 3,000-book sub-collection within the collection).
Bikes have been vital to less dangerous peace time missions – for decades the image of the district nurse and midwife was linked to the bicycle (viewers of the BBC’s Call the Midwife will be familiar with the cape-flapping leap onto the bike in response to urgent calls). Joan Markham and Joanna Jones are two of the district nurses whose memoirs we have; both books’ dust jackets feature evocative illustrations of the women with their bikes. In Nurse on the District, Jones describes battling loneliness as a young nurse newly arrived in postwar London but never loses her sense of humour.
In My Little Black Bag, Markham describes her wartime work in one of the poorest areas of Manchester. “I had ridden a bike since the Fairy Cycle days [a popular inter-war children’s bike] and, as a good horsewoman is one with her horse, so I was with my old iron steed”, she says. [pic 3 and 4]
Emily Chappell gives insight into the life of a bike courier in London – with the increase in delivery services, more and more people are earning their living on two wheels and her beautifully written book What Goes Around describes our city from the vantage point of a keen observer zipping through traffic on other people’s crucial errands. This is a memoir about much more than the experience of this particular job, investigating memory, imagination, community, and what it is to inhabit an endlessly changing city.
Though she was briefly famous, Annie Londonderry began and ended her life in obscurity, and was a very incongruous person to take on the challenge of proving that a woman could circumnavigate the globe on a bike, in 1894. Born Annie Cohen, a Jewish immigrant to the USA from Latvia, 24-year-old Annie was the wife of a very religious man and mother of three young children – and had never ridden a bike before she resolved on her outrageous challenge. A brilliant publicist, Annie donned the still-shocking bloomers (see the March Biographies from the Basement blog post!) after the first leg of her journey convinced her that long skirts and a corset were just not going to be viable. She covered her clothing with embroidered advertisements in return for sponsorship – she even rented out the spokes of her wheels to be adorned with advertisements in ribbon form. Her major sponsor was Londonderry Water, which explained her change of name – also a safety measure, as riding under the name Cohen or her married name Kopchovsky would have exposed her to the antisemitism that was rife at the time. Annie’s accounts of her trip fell on a spectrum between wild exaggeration and outright fantasy – she spun gripping tales of countries she never visited at all – and she is certainly one of the extraordinary eccentrics of our collection, who you can encounter in the wonderful biography Around the World on Two Wheels by her great nephew Peter Zheutlin.
Bikes can play a part in journeys of a very personal kind, and have their fair share of romantic associations. The Amazing Story of the Man Who Cycled from India to Europe for Love by Per J Andersson pretty much does what it says in the title, which is to trace the story of Artist Pradyumna Kumar Mahanandia who fell in love with Charlotte Von Schedvin , a young Swedish woman whose portrait he painted while she was travelling through India in a van in 1975. After two years of correspondence, the pair found that their feelings for each other had not faded, and Mahanandia resolved to join her in Sweden. You can guess how he made the journey; the two married and had two children, and Mahanandia has enjoyed a successful career as an artist in Sweden.
Another life changing bicycle ride was undertaken by Mike Carter, who in One Man and His Bike recounts how at the age of 45, while commuting to work on his bike, he made the decision to peddle around the whole of the coast of Britain, a distance of 5,000 miles (many cyclists claim to have their best ideas while cycling; indeed Carter reminds us that Albert Einstein claimed that the theory of relativity came to him while on his bike). His life-affirming encounter with people and places is touching and humorous; recollecting how therapeutic hours on his bike have got him through emotionally difficult times since childhood, he expresses how the solitary contemplative cycle ride forms a connection between our own intimate emotions and the world that waits to be discovered at the end of an adventurous (cycle) path.
Whether or not you are a cyclist yourself, I am sure you will find something of interest in these books and the 90,000 others in our Special Collection of Biographies. Don’t forget to listen to our BioEpic podcast, available from Anchor, Spotify, Apple, Google, Breaker and Pocket Casts.
- Claudia, Kensington Central Library
During St Georges’ week, a Colour-in-a-Dragon competition was held in our children’s libraries in Kensington and Chelsea. The best pictures from each library were selected, given a small prize and put forward for the inter library prize.
The winners for North Kensington Library were by Sam (aged 4) and Lilah Wilson-Stephens (aged 6). They came and collected their prizes, a craft activity toy, after school on Monday 17 May. They are brother and sister and it turns out their mother is an artist, so they seem to have inherited her talent!
I chose Sam’s picture because he used lots of different colours but all in a similar colour palate, so the effect is pleasing and not messy. Most importantly, he kept all the colours inside the different sections, with very little crossing over the lines. Very good work for a four-year-old!
I chose Lilah’s because she used an excellent golden yellow for the dragon’s body, not a trace of colour crosses over any line, and all the sections are very carefully and evenly filled. Again, very good, precise work for a six-year-old!
Both Sam and Lilah were both very pleased to be the winners. They were also keen to show me their latest gymnastic moves, before heading home for tea and to play with their prizes.
North Kensington Library