Every month or so, our colleague, Claudia takes a look at our special Biographies Collection at Kensington Central Library. It’s a collection of 80,000 books to which we add 1,000 new titles a year. This month, Claudia looked at our collection to mark Holocaust Memorial Day.
To mark Holocaust Memorial Day on 27 January, each year the Holocaust Memorial Day Trust chooses a different theme to commemorate the Holocaust and the Cambodian, Bosnian, Rwandan and Darfur genocides. To mark it, we have displayed some of the many Holocaust memoirs from our Biographies Collection in Kensington Central Library. This year the theme is One Day.
I have chosen as one day to focus on, the 19 July 1943 and how it was recorded by some diarists of the Holocaust whose work is in our Biographies Collection. I have displayed excerpts from the diary entries for that day alongside the books. Diaries are a particularly intimate, immediate and powerful form of autobiographical record, and the youth of some of these writers (Anne Frank undoubtedly the most famous) as well as our knowledge of their ultimate fates, underlines their poignancy and power. I chose this date for personal reasons – it was the birthday of a dear family friend who was living through the Holocaust as a child at the time.
Looking at this one day through the words of some of the memoirs reveals the geographical scope of the atrocity and the fact that it occurred over thousands of days, days which had sunrises and sunsets like any others, which were people’s birthdays and anniversaries, but on which the evils of hatred and bigotry violated the most fundamental human values, and which are rightly considered amongst the darkest in human history.
Some of the diaires I looked at ended before 19 July 1943, because the diarist did not survive beyond that point. For those, I have chosen the closest diary entry to take an excerpt from. I am also displaying other biographies of Holocaust survivors, refugees, rescuers, witnesses and those who did not survive, and some general books on the historical background to the genocide.
Another key reason why I chose the date 19 July 1943 was a way of dedicating this display to a beloved friend, born in Prague and a resident of West London for the past 75 years. This day was her 10th birthday. Between the ages of 8 and 12 she was imprisoned in Theresienstadt and, where her family was murdered.
Most children who survived the Holocaust were those who had been taken into hiding before deportation or managed to leave as refugees. She was one of a tiny minority to survive the camps themselves, due to being used as slave labour rather than being murdered on arrival. As the defeat of the Nazi regime approached, she was marched to Belsen, from where she was liberated by allied troops. A relative who had emigrated to London several years earlier recognised her on a radio broadcast appealing for relatives of child survivors, and she came to live in London where she has led a full and good life and been dearly loved by her family and friends. 1.5 million Jewish children were murdered in the Holocaust, over 90% of Europe’s total population of Jewish children.
Antisemitism is currently on the rise across Europe. One of its most pernicious strands is Holocaust denial. It is thus extremely important that we read the records of those who experienced the persecution, and are moved by their testimony to fight bigotry and hatred.
One of the greatest French and European novelist of the 20th century, Marcel Proust, was born 150 years ago, on 10 July 1871. This post, by Zvezdana at Chelsea Library, is about ‘the madeleine moment’.
His masterpiece, In Search of Lost Time (A la recherche du temps perdu), also translated as Remembrance of Things Past, is generally viewed as an allegorical search for truth. It consists of seven novels, published between 1913 and 1927 (the last three books were published posthumously). During the war years, the author revised his novels, enhanced the realistic and satirical elements, deepened its feelings, and became determined, even obsessed, to finish his novels with the ultimate Time Regained (Le Temps retrouvé) before his death.
The first volume, Swann’s Way, is one of the most distinguished novels of childhood. It starts with the narrator’s simple statement: ‘For a long time I used to go to bed early.’ It soon becomes clear that this man suffers from insomnia. He tosses and turns in his bed, falling to and from various levels of partial wakefulness and drifting on confusing gusts of memories that surface just for a few seconds, only to tease the sleeper. For a long time, when he lays awake at night and revives old ‘intellectual’ memories of his childhood in Combray, he thought that the past was lost, forgotten, flavourless.
Those who fall asleep as soon as their head touches the pillow, they would probably agree with Alfred Humbolt’s observation, whose publishing company rejected Proust’s manuscript in 1913:
I may be as thick as two planks but I can’t understand how a gentleman can take thirty pages to describe how he tosses and turns in his bed before going off to sleep.
Certainly, a reader does not need to be insomniac to appreciate and intensely enjoy Proust’s writing.
Proust portrays an oversensitive boy and his impressions and memories of his family, friends and acquaintances, superbly brought back to life by the famous taste of a madeleine cake dipped into lime-flower tea. The novel is the story of Proust’s life, but not a simple autobiography. The way how Proust treats his main themes – the meaning of love and time – is what keeps the novel fresh and relevant to readers hundred years ago and today, alike.
When he remembers Swan, his other friends and family members, from his childhood, it was not the same as what he knew and understood as an adult. Moreover, the people he was associated with, had also very different views about the same issues and other people. Their age, social status, gender – influenced and colour theirs and his perception, inevitably.
A ‘real’ person, profoundly as we may sympathise with him, is in a great measure perceptible only through our senses, that is to say, he remains opaque, offers a dead weight which our sensibilities have not the strength to lift.
Proust’s question is how to discover the real meaning, how to filter the real memory from later made-up memories. The narrator involuntarily recalls an episode from his childhood after tasting a madeleine cake dipped in lime-flower tea.
No sooner had the warm liquid mixed with the crumbs touched my palate than a shudder ran through me and I stopped, intent upon the extraordinary thing that was happening to me. An exquisite pleasure had invaded my senses, but individual, detached, with no suggestion of its origin.
Suddenly, the years of closed, forgotten and forbidden events and memories are thawing away and reviving the real past, the truth.
‘The madeleine moment’ – or Proust effect – became the most famous literary device in French literature. The expression ‘a madeleine de Proust’ describes ‘smells, tastes, sounds or any sensations reminding you of your childhood or simply bringing back emotional memories from a long time ago’.
Inspired by Proust’s novel, I wonder if reading of a particular book has triggered something like ‘a madeleine moment’ for you? Has a book affected you so much that whenever you taste a certain food or drink, that you are so vividly transported into the realm of that book?
Some examples from library staff –
In Tolstoy’s ‘War and Peace’ Pierre Bezukhov, as a prisoner of war, shares a potato and the whole philosophy of human existence with another man. How they appreciated every single morsel of that potato, has stayed with them.
Which book do you automatically associate with a special food or particular cuisine? And, after tasting that food, did you crave for more or you were quite disappointed?
Authors such as Andrea Camilleri take specific care to add food and particular cuisine to their characters.Inspector Montalbano is the perfect example. Many Sicilian restaurants reinvented themselves by offering dishes mentioned in Camilleri’s novels – ‘Eat like Montalbano’. The author even created a glossary at the of his novels with useful explanations of Italian dishes. For example, the glossary in ‘The Sicilian Method’ described sartu di roso and spaghetti alla carrettiera.
What about Robert Burns? If you are not aware, the Scottish poet is third in line after Christopher Columbus and Queen Victoria in the number of statues dedicated to a non-religious figure worldwide. Few literary figures convey more about nationhood than Robert Burns on the day of his birthday, 25 January, when Scots celebrate Burns Night – eating traditional haggis, drinking whisky and reciting poetry. And you do not need to be Scottish to celebrate.
Has a book affected you so much that whenever you taste a certain food or drink, that you are so vividly transported into the realm of that book?
Years ago, I always associated pomegranate seeds with Greek mythology – Persephone and Hades. However, after‘Midnight Sun’ by Stephenie Meyer my connotations have been updated. For better or worse, apples also received a new makeover, adding her Twilight tinge to a previous combination of a biblical and fairy-tale image.
Has a fictional character from a novel or film led you to try a particular food, to consume that martini ‘shaken – not stirred’ or even to buy (or dream of buying) a car they’re driving?
Well, I almost choked on a spoonful of peanut butter after watching Brad Pitt in ‘Meet Joe Black’!
According to Crains’s Chicago Business newspaper:
‘James Bond has inspired sales of Aston Martins and BMWs with his super-cool onscreen wheels. Now a vampire who drives a Volvo is getting the attention of young drivers. Since the release of ‘Twilight’ in 2008, teens and young adults have been drawn to the Volvo C30, driven by the character Edward Cullen.’
According to one of our young readers, this is exactly what many of her friends did:
I remember how right after the release of the first ‘Twilight’ film everyone was mesmerised by the film, but also by the classy new Volvo Edward Cullen was driving. At that time a few of my friends had passed their driving tests and wanted their first car to be ‘Edward’s car’ as they called it.’
What about smells and sounds? Do you imagine suddenly bumping into the Durrells while immersed in the music of the cicadas and the distinct scent of pine trees?
‘Spring merged slowly into the long, hot, sun-sharp days of summer sung in by cicadas, shrill and excited, making the island vibrate with their cries. In the fields the maize was starting to fill out, the silken tassels turning from brown to butter-blond; when you tore off the wrapping of leaves and bit into the rows of pearly seeds the juice would spurt into your mouth like milk. On the vines the grapes hung in tiny clusters, freckled and warm. The olives seemed weighed down under the weight of their fruit, smooth drops of green jade among which the choirs of cicadas zithered.‘
‘When the sun sank there was a brief, apple green twilight which faded and became mauve, and the air cooled and took on the scents of evening.‘
‘The sea was smooth, warm, and as dark as black velvet, not a ripple disturbing the surface. (…) Then suddenly the moon, enormous, wine-red, edged herself over the fretted battlement of mountains, and threw a straight, blood-red path across the dark sea.’
Roaming through Proust’s novel can easily lead us to the Belle Époque, to Parisian artistic saloons, to some of the most loved artists and famous expositions, to our own memories.
‘It is a labour in vain to attempt to recapture it (our own past): all the efforts of our intellect must prove futile. The past is hidden somewhere outside the realm, beyond the reach of intellect, in some material object (in the sensation which that material object will give us) which we do not suspect. And as for that object, it depends on chance whether we come upon it or not before we ourselves must die.’
According to the general French view, everyone has their own ‘madeleine de Proust’ and the question is: what is yours? We’d love to hear them, so please do comment below.
Biographies from the Basement August 2021 – International Cat Day
August 8th is International Cat Day, when the British charity International Cat Care invites us to focus on the welfare of domestic cats and the efforts it has been making for over 60 years to promote cat health and combat neglect. I have dipped into our Biography Store Collection to find out about some lives in which cats played a central role.
Anyone who has ever lived with cats understands how their idiosyncracies are woven into everyday life. Marilyn Edwards and her husband shared their Cumbrian cottage with a series of cats and her descriptions resonate with love and delight.
The Irish playwright and journalist Hugh Leonard documented his life with cat companions with similar tenderness and humour, as did former MI5 operative Derek Tangye, who left a glamorous life amongst London’s intelligentsia to experience seasons full of plants and animals in remote Cornwall. The landscapes of that county were also vital to Helena Sanders, who was active in Cornish politics, though it was far from those rugged shores that she made one of her biggest contributions to animal welfare; in Helena Sanders and the Cats of Venice, Frank Wintle describes how she set up a shelter for stray cats in that beautiful city. In The Cat who Looked at the Sky, Thea Welsh describes how the seemingly sensible arrangement of sharing cat ownership with friends came up against the real demands and foibles of a trio of strong willed cats.
You don’t have to observe even the most cuddly of domestic cats for long to be reminded of their relationship to their wild cousins, the big cats of Africa and Asia. Known for many wildlife TV documentaries, zoologist and photographer Jonathan Scott has lived amongst the lions of Southern Africa for over 40 years. In The Big Cat Man, he describes getting to know a pride of lions intimately as they go about their lives. Big cats also stalk the pages of Tippi Hedren’s The Cats of Shambala - I knew Hedren as the glamorous star of Hitchcock films like The Birds and Marnie; I had no idea that her passion for lions and tigers led her to spend years making the film Roar (1981). Coordinating large numbers of wild cats, many members of the cast and crew sustained serious mauling injuries, including Hedren herself. She set up The Roar Foundation to look after the film’s animal cast, and the Foundation’s Shambala Preserve in California, described in this memoir, is still home to several lions and tigers.
Sometimes, a subtitle of one of the books in the biography store is intriguingly surreal – this is certainly the case with John S. Clarke: Parliamentarian, Poet, Lion-tamer by Ray Challinor. Clarke, one of 14 children in Victorian Jarrow, was still a teenager when he worked in a circus training the lions which were still a staple of circus entertainment at the time, before going on to a career in politics, serving as Labour MP for Glasgow Maryhill from 1929 to 1931. Given how fierce the atmosphere of the House of Commons can be, I imagine his experience of training lions must have given him some useful skills for managing it.
Finally, let’s turn to some memorable fictional cats, and to the artists and writers who created them. The animator Oliver Postgate will forever hold a special place in the hearts of those who grew up in the 60s and 70s, as the creator of The Clangers, Ivor the Engine and other favourites. In 1974 he brought us Bagpuss, the soporific, stripy, endlessly benign and unflustered cat whose waking from sleep brings all the toy occupants of the little girl Emily’s shop to life, and Postgate’s memoir Seeing Things is as enchanting and fascinating as you might expect.
Kathleen Hale, whose widowed mother worked as a travelling salesperson, was fortunate in having her artistic talents spotted by a teacher. She went on to join the artistic scene in London during the First World War, working as Augustus John’s secretary and socialising with the Bloomsbury set. Her children’s book Orlando’s Evening Out (1941) was the first fictional picture book to be published under the Puffin imprint, the children’s arm of Penguin, the then less than 10-year-old publishing house which was to transform access to books for the general public. It featured Orlando the Marmalade Cat, who starred in a total of 19 books spanning almost 40 years, and her exquisite auto-lithographic technique, by which the artist hand-layers overprinted colours to create chromatic blends, are typical of the period. Her wonderful autobiography is modestly entitled A Slender Reputation; she published it at the age of 96, and died at 101.
“The Painter of Cat Life and Cat Character” is an apt subtitle for our beautifully illustrated coffee table biography of Henriette Ronner, as the 19th century Dutch-Belgain painter brought out the singular identities of all the cats she rendered against the silks and velvets, polished wood and well-stuffed upholstery of bourgeois domestic interiors – her feline subjects are so vivid that you feel you could reach out and touch them.
Colette is one of the most important figures of French literature, and throughout her work her love of animals and particularly cats is obvious – though she never sentimentalises, and renders nature in all its light and shade, ambivalence and cruelty. The pedigree Chartreux Saha of her novella The Cat (1933) must be one of the most disconcerting cats in literature, sidling elegantly through the early married life of two young people, inspiring both hypnotised devotion and primal jealousy. We have many wonderful books about Colette in the collection – her My Mother’s House and Sido is perhaps the best introduction to her masterly handling of animal and human relationships.
In the last few years two books about cats by Japanese authors have been enormous bestselling hits: Hiro Arikawa’s The Travelling Cat Chronicles and The Guest Cat byTakashi Hiraide. Eighty years earlier, their compatriot the great Junichiro Tanizaki, often considered the greatest modern Japanese novelist, wrote the unforgettable A Cat, A Man and Two Women. Tanizaki was a literary genius and his memoir Childhood Years brims with his characteristic sensitivity and texture, describing the day to day life of a well to do family in late 19th century Tokyo.
I couldn’t pursue the cat lover’s trail through the collection without pausing at the shelf where many books on Beatrix Potter are to be found. She was originally a local, born in Bolton Gardens (a stone’s throw from Brompton Library) in 1866 and is of course famous for the beautifully painted and characterised animals of her 23 “Tales”. She depicted cats with the same detailed naturalism and sympathy she brought to all her animal subjects – Tom Kitten was always my favourite (he has his own tale and also features in The Tale of Samuel Whiskers) and her other feline creations were Miss Moppet, and Ginger who runs a shop with her friend the terrier Pickles in The Tale of Ginger and Pickles.
Claudia Jessop, Kensington Central Library.
Don’t forget to check out our podcast BioEpic, in which we delve into fascinating lives through our Special Collection of Biographies. Available on Anchor, Spotify, Apple Podcasts, Google Podcasts, Breaker and Pocket Casts.
As it’s Plastic-Free July, our book review blog will be the title ‘Marcovaldo’ by Italo Calvino.
This week, Richard from Brompton Library will be reviewing Marcovaldo, by Italo Calvino. Marcovaldo is a collection of Italian stories talking about the beauty and the ugliness of both the countryside and the city.
Over to Richard to tell us more!
“If you’ve ever seen the film, Les vacances de Monsieur Hulot, you might recognise a similar lyrical style that is both poetic and comical in Marcovaldo. The character of the title is an Italian redneck labourer from the provinces with a love of nature, who moves to a large northern industrial city with his family.
The book comprises a collection of stories/chapters that follow this family through the seasons of the year. In the Forest on the superhighway for example, the family go in search of firewood, only to find billboards on the edge of the city; in the night, the short-sighted highway police officer confuses snatches of the family sawing through the panels with the billboard images and assumes they are part of the advertisements. Another story captures Marcovaldo’s reaction to the city transformed by winter snow.2
If you want to try out this unique and compelling read, pick up Marcovaldo today from one of our branches or via ebook –
This month is Plastic Free July, helping to promote the need towards eradicating plastic pollution so that we can have cleaner streets, oceans and beautiful communities.
To mark this important occasion, Montse from Victoria Library will be reviewing ‘This Changes Everything: Capitalism vs. The Climate, which won the Hilary Weston Writers’ Trust Prize in 2014, Canada’s most prestigious award for non-fiction!
Over to Montse!
At the question of: Is it possible to have a green Capitalism? Naomi Klein has a clear answer, and it’s a resounding NO. Klein disguised the myth of capitalism and urges us to rethink our economic and political system. This is an important book that position the debate in the right angle: Earth against capitalism.
We cannot longer deny the disastrous consequences that the depletion of our planet has brought us; droughts, torrential rains, virus, raising see levels, desertification, storms, fires and so on, the list is innumerable. Klein faced us with the biggest threat that humanity has ever experienced: our own survival as species.
This changes everything is a vast book of 572 pages, Klein invites to re-think the economic system that support the current political strategies in relationship to the planet resources and is leading us to disaster: “our economic system and our planetary system are now at war”, it’s time to take your side.
‘This Changes Everything’ can be borrowed from our catalogue in multiple formats including ebook, e-audiobook, and in hard/paper copies too. Click this link to find out more –
Summer is in full swing, and everywhere in gardens, parks, window boxes, and balconies, flowers are bursting with colour. Flowers can be exciting, calming, awe inspiring – and somehow this summer they seem more wonderful than ever. Of course, Chelsea has been home to the Royal Horticultural Society’s fabulous Flower Show for more than a century – this year it has been postponed to September, when I’m sure it will be the treasure trove we’ve come to expect.
Our Biography Collection (Special Collection of Biographies) contains many books about famous gardeners and garden designers, plant collectors and those who developed the scientific understanding of flowers. For this blog post I want to focus on three people who in very different ways have celebrated flowers and deepened our experience of them.
Have a look at these exquisite flower pictures which date from the 18th century; it may surprise you to learn that their creator was a woman who completed almost 1000 of these images between the ages of 73 and 82. You might be further surprised that they are not paintings, but collages. Mary Delany was born Mary Granville in 1700. Aged 17, she was married to a man of 60, as a way of consolidating the political aspirations of her aristocratic family. He died eight years later, and she did not remarry until her early forties, when she became the wife of Irish clergyman Patrick Delany – they divided their time between Dublin and County Down. Both Delanys were keen gardeners and Mary celebrated flowers in a range of creative work, including watercolour, embroidery and collages with shells. Delany felt that delicate tissue paper could most closely evoke the texture of actual flower petals, and eventually perfected her original method which she called “paper mosaic”, building detailed flower images with tiny cut-out shapes meticulously layered, and mounted on black paper to dramatic effect (this was revolutionary, as botanical illustrations were traditionally given white backgrounds, echoing herbaria where plant specimens were always shown against white). She was an expert botanist, and would dissect the flowers before depicting them, to make sure her work was accurate as well as beautiful. King George III and Queen Charlotte became huge fans, as well as friends. She had a circle of other eminent friends, including Jonathan Swift, and the botanist Sir Joseph Banks, who was a key figure in the founding and development of the Royal Botanic Gardens at Kew. We are fortunate in having nine books about Mrs Delany in the collection, including a tiny volume of her letters from 1821 which is illustrated with a silhouette portrait of her at the age of 87 and a 21st century volume of recipes, remedies and etiquette tips gleaned from her letters.
William Robinson‘s career began humbly in Ireland, when he was employed as a teenaged “garden boy” by the Marquess of Waterford. His precocious expertise with flowers led him to become one of the most influential gardeners of the late19th and early 20th centuries. In 1861, when he was only 23, he moved to London to work at Regents Park, where he became an authority on British wildflowers. He wrote a range of gardening books which were so successful that he was able to buy Gravetye Manor in Sussex, where he set about creating a magnificent range of gardens. Robinson championed wild, natural styles of garden design, taking inspiration from the traditional English cottage garden – he railed against straight lines, “carpet” beds of monotonous bright colours, and the formality of topiary and statues (he was very critical of some of the contemporary plantings in Kensington Gardens, which he considered hideous). Instead he promoted the abundance of simple, often neglected, meadow flowers, blurring the boundary between garden and wild countryside, and bringing the Arts and Crafts aesthetic into the garden. His were amongst the go-to books for millions of British gardeners up until the 1930s, when he died and his fame began to fade.
Ross Gay‘s The Book of Delights is quite simply one of the most life-affirming books I have ever read. A collection of essays written over a year, it is a catalogue of the small joys of everyday life, which poet Gay describes with lyricism, humour and an acknowledgement that delight co-exists with pain, and can be rendered more precious by it. In his preface Gay lists nine themes that he traces coming up repeatedly over his year of “delights” – one of them is his garden, and I am including this book because many of its most incandescent passage relate to flowers, and remind us of their power to surprise us and to offer us joy in the middle of whatever else we are going through (in fact, flowers recur so often as a topic that as well as being classified on book websites as “Philosophy” and “Social Sciences”, the book may also be found in “Gardening”; Gay is a passionate gardener and founder of a community orchard in Bloomington, Indiana). Throughout the 102 essays, on a multitude of topics including friendship, loss, the African-American experience and the meaning of community, flowers make repeated appearances and are a recurring motif resonating with hope. Many of the essays focus on the flowers Gay plants, cherishes, unexpectedly encounters and observes with what he calls “supreme attentiveness”. The essay “Flower in the Curb” is a meditation on friendship, memory, loss, our relationship to public space and the serendipity of sudden beauty, all in three paragraphs, and though there is much more than flowers in Gay’s records of his “intense fleeting attentions”, flowers are a constant theme and some of the most memorable and uplifting passages are woven through with their scents and textures, and their profound redemptive meaning to Gay.
Over to Zvezdana from Chelsea Library for a review on a love story with a bite!
The love story with a bite: ‘Twilight’ – books and films!
Fifteen years ago, the first ‘Twilight’ book was published, followed by ‘New Moon’, ‘Eclipse’ and ‘Breaking Dawn’, telling a story of Romeo and Juliet with a vampiric twist. Since its release ‘Twilight’ was sold over 165 million copies (numbers from 2020).
In 2015 Meyer published ‘Twilight Reimagined: Life and Death’. The story is a gender-swapped retelling of the first book, and she introduced Beau Swan and Edythe Cullen in place of Bella and Edward. The ending is different, as Meyer decided to give full closure to the story, avoiding any chance of sequels.
Last year ‘Twilight’ fans finally got long-time-promised book – ‘Midnight Sun’ -‘Twilight’ retold from Edward Cullen’s point of view. When the story was famously leaked in 2008, the project was paused for twelve years.
What is the ‘Twilight’ story about?
The main character, seventeen-year-old Bella Swan, decided to stay for a while with her father in order not to be a burden to her happily newly remarried mother. So, she is swapping sunny Phoenix for Forks, a small and constantly rainy town in Washington State. Naturally, the landscape looked completely different- Forks is “too green”, lush, mysterious, like in fairy tales. Anything is possible.
The story is told from Bella’s point of view. A pretty and shy, geeky, book-wormish type; self-conscious and timid; pale, slender but not sporty, “lacking the necessary hand-eye coordination to play sports without humiliating” herself; Bella did not fit in anywhere. So, she was more than anxious on her first day in the local high school. Surprisingly, many people – boys and girls – noticed her and she found this new situation quite intimidating.
The focus of her attention was a group of five “devastatingly, inhumanly beautiful” boys and girls, the Cullen family, who kept to themselves. From the first moment Bella saw Edward Cullen, pale bronze-haired boy, in the school cafeteria, she fell in love with him. Her life thrillingly and dangerously swirled casting a spell on her (and the readers). The Cullens were vampires and Edward managed up to now, to keep his vampire identity secret. For him it was the first time in his mortal and immortal life that he fell in love with somebody.
Suddenly, we are following deeply romantic and extraordinary suspenseful story of two lovers who should not be together, whose love is wrong, forbidden, yet, they cannot imagine the life without the other one.
I cannot say that I was convinced by the idea of retelling the same story, yet, again. It sounded like KS2 writing task, something that Meyer’s assistants could easily supply. Suspicious, I gave it a chance, bought the book, read it and – I liked it. It I interesting to see how Bella and Edward are similar. From her perspective he is like dazzling god who does everything perfectly, while she questions her worthiness constantly. On the other hand, Edward is horrified that because of his selfish need not to lose Bella, he does not have the strength to leave her and let her have normal, human life. She deserves much more.
This is what the publisher, Little, Brown and Company, wrote about this book:
“When Edward Cullen and Bella Swan met in Twilight, an iconic love story was born. But until now, fans have heard only Bella’s side of the story. At last, readers can experience Edward’s version in the long-awaited companion novel, Midnight Sun.
This unforgettable tale as told through Edward’s eyes takes on a new and decidedly dark twist. Meeting Bella is both the most unnerving and intriguing event he has experienced in all his years as a vampire. As we learn more fascinating details about Edward’s past and the complexity of his inner thoughts, we understand why this is the defining struggle of his life. How can he justify following his heart if it means leading Bella into danger?
In Midnight Sun, Stephenie Meyer transports us back to a world that has captivated millions of readers and brings us an epic novel about the profound pleasures and devastating consequences of immortal love.”
‘Twilight’ movies, from Summit Entertainment, became even bigger hit than books. From ‘Twilight’ in 2008 to ‘The Twilight Saga: Breaking Dawn – Part 2’, in 2012, the films were fantastically successful. (Budget for five films was around $401 million; Box Office – around $3.346 billion)!
Personally, the first film, directed by Catherine Hardwicke is the best. It closely follows the book. The critical scene when Edward saved Bella’s life and stopped the van, is even better, more plausible, in film than how it was presented in the book.
The crucial point was the perfect casting of Robert Pattinson as Edward Cullen. More than 5,000 boys auditioned for the role. Thanks to his portrait of Cedric Diggory in ‘Harry Potter and the Goblet of Fire’, Pattinson was in a very good position to get the role.
“There are very few actors who can look both dangerous and beautiful at the same time, and even fewer who I can picture in my head as Edward,” Meyer wrote. Although she previously said that Henry Cavill was “the only actor”, she had ever seen, “who could come close to pulling off Edward Cullen”, she was “ecstatic” with the studio’s decision to cast Robert Pattinson. That role made him a global superstar.
‘Twilight’ is not the only 2000s novel franchise getting a 2020 restart. Prequels and sequels are very popular, from ‘Star Wars’ and ‘Batman’ to ‘Hunger Games’.
Both, Stewart and Pattinson moved from Twilight saga and have successful careers, but in readers’ and viewers’ eyes they will always be the embodiment of Bella Swan and Edward Cullen, similarly, as Colin Firth will always be Mr Darcy regardless how many film awards he may win.
If you would like to borrow books or films from the Twilight franchise or other works by Stephenie Meyer, have a look at our catalogue!
One version of the crime in ‘Troubled Blood’ comes from someone with a very warped perception of what happened. Do crime novels need unreliable narrators?
J K Rowling’s answer was that “crime novels gain from having witnesses who do not perfectly recall, because that’s real life. People tend to remember things that interest them.”
In preparation for the Book of the Week and my presentation of ‘Troubled Blood’, I visited Clerkenwell. For those who have not read the book, yet, Clerkenwell is the most important location for the latest Strike’s investigation. Forty years ago, a doctor, Margot Bamborough, disappeared from her surgery in Clerkenwell. She was supposed to meet a friend, Oonagh Kennedy, at the nearby pub – The Three Kings, but never arrived.
As lockdown is lifting, shops and pubs opening, it would be quite probable that the filming of ‘Troubled Blood’ has started.
True or not true, I do not know, but I can definitely inform you that I recorded some “suspicious” activities in Clerkenwell, in the early afternoon, on Wednesday, 28 April 2021. The Three Kings is still closed. The St James’ Church is under scaffoldings, but a filming on Clerkenwell Green is happening!
Unfortunately, no signs of Tom Burke or Holliday Grainger. Even the location at Denmark Street did not prove productive.
The Novel ‘The Evening and the Morning’ has been nominated for British Book of the Year 2021, one of our customers has kindly provided a review of the book.
Check out our blog to read Ben’s review…
‘Ken Follett is once again on fine form in this prequel to “Pillars of the Earth” part of his Kingsbridge Series. It is 997 ,The world is a violent place were power rules.
A Viking raid in South West England forces Edgar and his family to relocate to Hamlet Deng’s Ferry. Edgar discovers he has a talent for building things, the plot centre’s around him and his friendship with a Norman noble woman Ragna (who is locked in a loveless marriage with the local Lord Wilf ), a priest Aldred and their dealings with Wilf’s brother, a scheming and ruthless bishop, Wynstan.
Follett meticulously researches his books, for example in his previous novel – Pillars of the Earth – he spent two days or more in each Cathedral whilst researching it.
The story in “The Evening and the Morning” takes place over ten years. It does not reach the standard of “Pillars of the Earth” which takes place over decades. It is however a page turner and one can identify with the main characters. The seeds and structure that readers love of the later books in the series are set out in this book. The book also works as a standalone novel.
I would give it 3.5/5’
Have you read ‘The Evening and the Morning’, let us know what you thought down below…
Follett’s novel is also available to borrow from our catalogue –
Pedro Páramo by Juan Rulfo reviewed by Anton from Victoria Library!
Pedro Páramo is a short book (less than 150 pages), but it is a very important book.
Published in 1955 it is a precursor of the “magic realism” movement so important in latin-american literature and is cited as an important influence by authors such as García Márquez, Vargas Llosa, Carlos Fuentes or Jorge Luis Borges. The author, Juan Rulfo is admired by writers all around the world, from Susan Sontag or Günter Grass to Gao Xingjian or Kenzaburo Oe.
In the beginning of the book we follow Juan Preciado, who promises her mother on her deathbed to travel back to her childhood town of Comala and look for his father (“Pedro Páramo” hence the title).
Comala is a kind of purgatory, a place where the present and the past mix, the people that we meet there are mostly ghosts from the past of the town when it was a lively place and not the dusty desert that it has become. Through their voices we hear the story of Pedro Páramo, or Don Pedro as he was known at the time. He was a successful landowner who would always get what he wanted through money, intimidation or violence. But he was also an unhappy man, unable to have enjoyment or connect with others. We find that he had one true love in his life, Susana San Juan, which was his childhood sweetheart but then moved away from Comala. When Susana returns to the town as a widow Pedro is determined to “get her” one way or another…spoiler ahead…it doesn’t end well.
Rulfo’s prose is mostly straightforward but this is a complex work; the fragmentary perspective defines the book, going from first person to third person, from the present to the past. The story becomes complicated with many voices interrupting the main narrative to tell their little own tales. It’s a book about hopes and dreams, death and redemption.
There aren’t many books quite like this: a really small work but with a large lasting impact in literature throughout the world.
If you would like to borrow a copy from our libraries, use our catalogue to make a reservation: