Interview with Andrew Cartmel: part 2

Andrew Cartmel will be at Brompton Library on Monday 24 September, 6.30pm taking about his career and work and signing copies of his Vinyl Detective crime novels – Written in Dead Wax, The Run Out Groove and Victory.  You can book a place here on Eventbrite 

This is the second part of our interview with him; you can find the first part here

The fourth book is on its way, tell us about that.

It’s called Flip Back and it deals with the British psychedelic folk scene of the late 1960s and early ’70s. Among my research for that I read an excellent book called White Bicycles by Joe Boyd.

What were some of your musical inspirations from the 60s and 70s?

Bob Dylan, the Rolling Stones, Steely Dan, Neil Young, Joni Mitchell.

I read in another interview with you that each of the Vinyl Detective novels has a spirit animal.  How does that help you with writing the novels and why is this important to you?

It’s just something that arose without me thinking about it. I am fascinated by animals and wildlife, and very fond of them, and appalled by their treatment at the hands of humans. So that just sort of naturally wove its way into my writing. When I became aware of what I was doing, I made it more deliberate. And started referring to it by that ‘spirit animal’ malarkey… though it’s certainly malarkey I genuinely subscribe to.

Are there any plans to make the books into a TV series or film?

My agent regularly gets enquiries, which have so far led to one serious meeting but nothing further than that.

And finally, we can’t leave without mentioning Doctor Who.  You worked as a show runner and script editor on the TV series, and have since written many of the Doctor Who comics.  What was it like to work on such a classic show?

It was a privilege. It was also the gift which keeps on giving, in the sense that it’s given me a calling card which never expires, and has led to me meeting a lot of interest people and travelling all over the world.

Were you a fan before you worked on the show?

No.

You have written novels, audio dramas, television scripts, graphic novels and also several stage plays.  Which genre do you prefer?

Each has its own particular appeal and its own unique challenges. I like switching from one to the other. But my two favourites are the novel, for its intimacy and clarity of expression, and the stage play for the magic it conjures up through taking place in real time, with real people, in a shared space.

The graphic novel Sabrina by Nick Drnaso has been longlisted for the Booker Prize this year.  How easy or difficult do you think it might be to judge a graphic novel against a traditional novel?

I don’t see how you can compare the two forms.

 What three pieces of advice would you give any aspiring writers out there?

Keep your covering emails very brief. Give your characters interesting names. Have your work read by people you know, whom you can trust to be ruthless — or at least honest — and seriously consider their feedback before you send it out and waste the time of an agent or editor.

What’s next for you?

Finishing the fourth Vinyl Detective, then rewriting a stage play, then writing a new stage play, then writing a graphic novel for the Rivers of London series, which I co-write with Ben Aaronovitch.

Thank you for your time Andrew and very much looking forward to meeting you on 24  September at Brompton Library.

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Interview with Andrew Cartmel: part 1

Andrew Cartmel was the show runner on Doctor Who for the entire Sylvester McCoy seventh Doctor era. He has written many novels and graphic novels including the Dr Who comics Evening’s Empire and The Good Soldier. Andrew is currently collaborating with author, Ben Aaronovitch on writing the bestselling Rivers of London comics.

He’ll be at Brompton Library on Monday 24 September, 6.30pm taking about his career and work and signing copies of his Vinyl Detective crime novels – Written in Dead Wax, The Run Out Groove and Victory.  You can book a place here on Eventbrite 

In the meantime, Andrew has very kindly answered some questions for us –

Tell us about the Vinyl Detective series.

I’ve been writing for most of my life, in our form or another. Since I left university I’ve been writing for a living, or at least trying to. But the Vinyl Detective books are the first time I feel I’ve entirely succeeded.

The Vinyl Detective is very evocative of the day to day realities of city life – grass verges, council estates, broken boilers – not glamorous or exotic in any way!  It is definitely different to what you have called the current trend for “Danish disembowelment” novels.  Why was this setting important to you?

I wanted to write what I know. You might also call it low-hanging fruit!

I have read that you are an avid vinyl fan, what made you want to write detective novels based around vinyl?

My friend Ben Aaronovitch had written what became a bestselling series of novels — The Rivers of London books. I asked him what the secret was. He told me to write about what I genuinely loved. And I genuinely love record collecting, and crime fiction.

Andrew with his cat, Molly

What was the first record you bought?

The soundtrack to (the first version of) Casino Royale featuring a superb music score by Burt Bacharach and a knock-out song (‘The Look of Love’) sung by Dusty Springfield. It’s a classic and it remains a favourite of mine.

And what was the last record you bought?

Stan Tracey’s Jazz Suite to Under Milk Wood (inspired by the Dylan Thomas poem). The original Lansdowne mono pressing, of course.

You didn’t start out in crime fiction, what where some of the influences that lead you into crime writing?

I admire Raymond Chandler a lot, but for my money the greatest crime writer of the golden age (roughly the 1930s and 1940s) was Dashiell Hammett. His terse, cynical, realistic style hasn’t dated at all (read The Maltese Falcon). But a more profound influence came somewhat later. John D. MacDonald is, I think, the finest crime writer of them all. He’s a hero of mine. He wrote dozens of excellent novels, notably the Travis McGee series. More recently, I tremendously admire Thomas Harris, best known for creating Hannibal Lecter.

You must have spent a lot of time researching the books, tell us about that?

A lot of it is, as I said, low hanging fruit. Because I write about a world I already know well. But I will also do specific research. In my third book, Victory Disc, I dealt with a crime originating in the RAF bombing campaigns of World War 2. At the end of the novel I acknowledged the two superb books I drew on for the factual background, one by Max Hastings and one by Len Deighton.

Many thanks, Andrew – we’ll be back next week with part 2. 

Lives at sea

We are an island nation, and throughout our history the sea has been inextricably mixed into our lives, whether we experience it as part of our immediate environment, learn about its place in our history, or trace its many marks on our language and literature. Images of the sea and seafaring metaphors sparkle and surge through our poetry and our idioms, and the sea exerts a pull of mystical romance.

To mark National Maritime Day on 1st September, our Biography Collection display at Kensington Central Library features memoirs of lives at sea. There are books tracing how the sea influenced artists and writers including Conrad and Turner, and books recording the experiences of sailors and fisherman struggling to maintain a livelihood in often pitiless conditions.

Many have been drawn to engage the sea in battles for supremacy, leading to amazing feats of endurance and will – these are the loan yachts-people, circumnavigators and channel swimmers who lead us through their life-changing struggles. There are intimate and personal records of how the sea effected changes in relationships and the sense of self (my personal favourite is Gwynneth Lewis’s Two in a Boat, an account of how the superficially crazy idea of going to sea became a jumping-off point for profound insights into the nature of moods, marriage and metamorphosis).

Our naval history is inevitably linked with painful themes of colonialism and war, and we have books on how projects of land conquest and trade depended on the conquest of the sea from the Elizabethan period onwards, and on how the protagonists of terrifying sea battles understood their experience.

And of course, there are pirates, with brutal realities often far stranger than the romantic legends we have inherited.

We hope you will dive in and find something to interest you.

The Biography Store Team, Kensington Central Library

Guerrilla gardening at Brompton Library

I wonder if you are aware of the concept of guerrilla gardening. There is a body of people out there who selflessly spend their time and resources cultivating neglected public spaces. Some of them are individuals working solo and others are community groups and this is very big worldwide movement.  

Outside Brompton Library there is a small planter. For years this has mysteriously been looked after by our own anonymous guerrilla gardener. Recently, I finally caught up with Bertolutti Dora Howard  as she was watering our own little urban oasis and was able to give her my personal thanks and appreciation for what she is doing for us. She described to me how many of the plants she used were free, harvested from her own gardens in Italy and Cornwall or rescued from local residents who were moving away and could not take their plants with them. She looks after many small gardens on our local streets. The result you will agree is absolutely fabulous.

Like to learn more about this movement? Take a look at the Guerrilla Gardening Community website

Gaynor, Brompton Library

Summer Reading Challenge 2018

This year’s Summer Reading Challenge launches in our libraries tomorrow, Saturday 14 July. The challenge is fun, free and designed for all children whatever their reading ability and it’s been designed to help children to improve their reading skills and confidence during the long summer holidays.

Children can read whatever they like for the challenge – fact books, joke books,
picture books, audio books or you can download a book,  just as long as they are borrowed from the library.

 

This year’s Summer Reading Challenge is called Mischief Makers – Dennis the Menace, Gnasher and friends invite the children taking part to set off on a hunt for Beanotown’s famous buried treasure.

 

Each of our libraries will be holding special events for children of all ages, some of these are listed now on our website Pop in to your local Kensington and Chelsea library  to find out more about the Summer Reading Challenge and collect a special  events programme.

 

Great names of British comedy

It’s fifty years since the first broadcast of that classic of British comedy, Dad’s Army, and this month our Biography Collection display at Kensington Central Library showcases the life stories of some of our funniest men and women. We have a truly enormous number of books celebrating the comic genius of stand-ups and sitcom stars. With intimate glimpses of the highs and lows of their real lives, we find that the tears of a clown are often a real phenomenon, while some stars have brought their comic talents to their own memoirs so that their trials and tribulations cause tears of laughter as we read.

The vintage funny business is all here – from the Victorian double entendres of Marie Lloyd and the silk dressing-gown cool of Noel Coward, to the surreal capers of ITMA (It’s That Man Again), Round the Horne and The Goons and the even more surreal and subversive – and perhaps also quintessentially British? – comic kaleidoscope of Monty Python.

I wonder if I am alone in finding Private Frazer’s mournful cry of “We’re doomed!” strangely reassuring – it’s interesting that over the years we have loved so may characters who express comic despair at life’s frustrations, with a special place in our collective psyche for the hapless melancholy of Tony Hancock, the car-thrashing frenzy of Basil Fawlty, the tightlipped defeatism of Victor Meldrew and the wailing lament of Steptoe junior as his father greets another faux pas with a malevolent toothless grin. There’s that traditional strand of social competitiveness, snobbery and one-upmanship to relish in many of our best loved characters too (Fawlty and Steptoe’s anguish has a lot to do with this, and think also of Hyacinth Bucket, Rigsby,and Margot). The “saucy” humour of the seaside postcard resonates in the Carry On era and Benny Hill, and British comedy has also always had a healthy disrespect for the institutions of authority, taking the wind out of the sails of power in Yes, Minister and of the criminal justice system in Porridge.

Through the alternative scene of the 80s, shows like The Kenny Everett Video Show, Not the Nine O’ clock News, The Young Ones, The Comic Strip Presents and Three of a Kind all represented seismic shifts in comedy styles and pushed the boundaries of what made us laugh.

More recent faces feature in our display too, like Walliams and Lucas, Mitchell and Webb, Miranda Hart, Michael McIntyre, Sarah Millican and James Corden – and there is no shortage of hilarious women – Wood, Windsor, and Walters; Lipman, Tate, French and Saunders, and many more.

There are so many, many great names of British comedy, that I am already wondering how I could have written this blog piece without mentioning by name, for example, Tommy Cooper, Kenneth Williams, Spike Milligan or June Whitfield – and you will doubtless have your favourites who you can’t believe I have not included! I am glad to say this embarrassment of comic riches is reflected in our Biography Collection, with our display representing the tip of an iceberg of hundreds or comic biographies. If you can’t find your favourite, just ask.

The Biography Store Team, Kensington Central Library

What we do today echoes in tomorrow’s life – Angus Wythes

Have you heard of above the line thinking? It can help you define your current situation, choose your direction and move forward with a renewed sense of purpose and drive as well as being accountable for your own results. Like to learn more? Angus Wythes from The Performers Edge will be at Brompton Library today Tuesday 26 June, 6pm. You can book a free place via Eventbrite

In the meantime, over to Angus to tell us more –

What we do today echoes in tomorrow’s life. We all want to live a life we have created and in this Performers Edge workshop, above the line thinking explores one method. Living the life you want to create is about choice. Especially when we live in a modern world fundamentally driven by instant gratification, high pressured work and domestic environments which often at times is devoid of any significant meaning.

Frequently for most of us (and I am no exception) we seem to get caught up in the fast pace of life and do, do, do working our way down a check list of sorts and we tend to lose our sense of being. Our sense of being can be characterised by statements like, what sort of person am I being or who am I being in this moment. It is actually this sense of being that defines us as people and not what we do. What we do can change within moments, one minute an athlete or multi-million pound investor and the next injured and unable to compete or broke and no way to trade.

Unfortunately for most of us we are not aware of this relationship and this more often than not leads to behaviours which simply do not serve the self. With an awareness of this relationship we can in part empower and create for ourselves a greater level of choice. In choice, we have the power to define our reality and not reality to define us.

With choice we have the option to live our purpose and in imperfect action we can find direction always moving forward towards the place we wish to be. Choice in part underlies Being and so the journey becomes more important than the goal itself. In becoming the person worthy of the goal the goal actually becomes less important and ironically we are freed through choice (and so being) to achieve the goal.

Above the line thinking is a proactive mindset focusing on creating choice within a space of what we can actually control and therefore be directly responsible. In life there are very few factors we can control and many of the most successful people have mastered this thinking. These include Richard Branson, Deepak Chopra, Matthew Hussey and even Lance Armstrong among many, many others.

Leading with focus and in a state of being we have frameworks to be proactive in our life and generate that same success as these names. It is critical to understand why thinking above the line is important and why the strategies of cause and effort, the triad of result and outcome model work and how this aids in the creation of a proactive life.

In the end life should be about the ands and not the ors and we all want to live resourceful meaningful lives full of purpose. We desire to be the master creators in our life and in that form I look forward to meeting and sharing The Performers Edge event  with you all.

Hope to see you on 26 June.

Angus Wythes

Parties, Presents and Peers: an A-Z of London’s Mid-Century Models

In April this year, Chelsea Library marked 40 years since it moved to its present site, at Chelsea Old Town Hall. We celebrated that anniversary in the Sixties fashion style, since the library is famous for its extensive Costume and fashion collection. It has a wide range of books on the history of costume from its earliest times to present days, stage costumes, the history of twentieth century dress, including books on prominent designers, and so on.

Bearing this in mind, we’ve decided to bring back fashion talks and workshops to the library. We invited John-Michael O’Sullivan to give a talk on ‘Parties, Presents and Peers: an A-Z of London’s Mid-Century Models’.

He spoke about top Fifties fashion model, Barbara Mullen, and he has compiled an extraordinary list of celebrities, fashion models, fashion designers, film icons and aristocrats for his talk. From debutantes to Teddy Girls, and from Carnival Queens to couture stars, the lives of the women whose images shaped Britain’s beauty ideal in the 1950s, and continue to do so today, need to be better known to a wider audience.

The audience at Chelsea Library was, indeed, very much impressed by John-Michael’s captivating talk. Charming and witty he led us through this extraordinary alphabet of mid-century models, occasionally interrupted by loud sighs and comments from the engaged listeners, several of them having personal connections with the mentioned models.

In his article for The Observer, about Barbara Mullen, the misfit model of the 1950s, John-Michael wrote:

“The era’s other great models (sex bomb Suzy Parker, platinum blonde Sunny Harnett, long-limbed Dovima, all-American Jean Patchett, exquisite Evelyn Tripp) were always reliably, recognisably themselves. But Mullen was different – beanpole-tall, with slicked-back hair, startled eyes and a rosebud mouth. Her features, in front of a lens, somehow morphed, endlessly transforming her into somebody else.”

While I was gathering information for the talk, flicking through our collection of Vogues and Harper’s Bazaars  from the  1950s, I found it extremely difficult to find the names of those gorgeous models, yet, everything else was listed – from gowns, lipstick, jewellery, to location and the photographer’s name. That was the time before Twiggy, before Cindy Crawford, Naomi Campbell, Linda Evangelista, Elle Macpherson, Claudia Schiffer or Kate Moss – before the times of superstars.

As John-Michael wrote:

“These days, most top models are social media stars in their own right and have the power to shape and share their stories themselves. But most of their predecessors died without ever being given the chance to share their experiences. Barbara Mullen, who turned ninety in 2017, is one of the few survivors of a remarkable era.”

Charming and modest Barbara told John-Michael that she and her friends were just ordinary girls – young, thin and extremely lucky. She was wondering why people today would be interested in their lives.

John-Michael has launched a campaign with publishing house, Unbound which is producing books by crowdfunding. He has been gathering the funds to print ‘The Replacement Girl’ Mullen’s first biography. I am sure that it will be fascinating to see that era “through the eyes of one of that pioneering generation’s last survivors”.

For more information on the fundraising campaign to publish Barbara’s story, visit: Unbound’s website

Zvezdana, Chelsea Library

Chelsea in Bloom

crownAre you looking forward to doing something uplifting, something that puts smile on your face – effortlessly?

Have you seen flower displays around Chelsea?
There is no better way to celebrate the start of summer than visiting Chelsea in Bloom.
Download the map and vote for your favourite display!


Whether you want to take selfie with Frida Kahlo, peep through the gorgeous ‘diamond’ ring, giggle with the funny skeletons, admire a bus made of carnations, floral flags, regal swans or just smile and sigh while gazing at roses, camellias, lilies, freesia, sweet peas, chrysanthemums, gerbera  … you will enjoy your stroll.
The flower displays are so inspirational, cheeky, lavish, splendid … Pure pleasure!

Just one thing, if I can recommend, wherever you start your tour, quickly pop to  Chelsea Library and grab a book – Jessie Burton’s “The Muse” or one of Elly Griffiths’ crime novels. So, when you decide to sit and pause the leisurely walk, you have your book with you.

For more information, please visit the Chelsea in Bloom website.

 

Women in medicine

Female medical students currently outnumber their male counterparts in the UK. This is a situation that would have seemed incredible to the earliest female doctors.

In 1865, Elizabeth Garrett Anderson became the first British woman to qualify to practice medicine. (The first woman, that is, since Dr James Barry, who though born female, lived her adult life as a man so that she could practice medicine from 1815, her secret only being discovered after her death.) Even with her qualification, Anderson was excluded from work in any hospital. She set up her own practice and launched a remarkable career in medical work, and in the furtherance of women in the profession and in wider society.

However, the battle for women to become doctors was very far from over. It is difficult for us to appreciate how strongly, and with what sometimes vicious misogyny, women’s entry into the profession was resisted well into the 20th century. A medical career was considered by the male establishment to be far too physically arduous and intellectually rigorous for any woman’s capabilities. All kinds of quasi-medical theories were propounded in support of this view – all the more bizarre when you consider that these were often expressed by highly educated men in the scientific community: they included the idea that too much study would cause a woman’s womb to atrophy.

These prejudices were enshrined in the regulations of the most important medical institutions. During the first half of the century, women were still barred from training at the major hospitals – with the sole exception of the Royal Free, where Garrett Anderson had established the London School of Medicine for Women in 1874. Although for some women, the shortage of men during the First World War around the time that they qualified provided a timely career-boost, allowing them access to institutions that were forced in desperation to admit them. Between the wars, it was still common for job advertisements in the British Medical Journal to specify that women need not apply.

In 1911, Marie Curie won her second Nobel Prize in Chemistry. Apparently unmoved by her achievements, Sir Henry Butlin, President of the Royal College of Surgeons, delivered a lecture in the same year in which he stated unequivocally that he believed women to be unsuited to medical research. An indication of how slow attitudes were to change is that 30 years later, in 1941, Sir Robert Hutchison, President of the Royal College of Physicians, told female medical students “medical women make excellent wives, while their qualification is always a second string to their bow.”

Against this background, the achievements of the early female doctors are all the more impressive, and we are pleased this month to be able to display fascinating biographies and memoirs of many of them (from our Biography Collection at Kensington Central Library), as well as those of contemporary women doctors writing about the stresses and joys of their chosen career.

We are also delighted to tell you about an exciting event linked to this display: on Monday 18 June, 6 to 7.30 pm here at Kensington Central Library, Dr Abby Waterman will be discussing her compelling memoir “Woman in a White Coat”. This is a wonderful read which describes with great humour and honesty her journey from an impoverished girlhood in the East End to a wide-ranging medical career.

You can book a free place to this event via Eventbrite 

The Biography Store Team, Kensington Central Library