Andrew Cartmel will be at Brompton Library on Monday 24 September, 6.30pm taking about his career and work and signing copies of his Vinyl Detective crime novels – Written in Dead Wax, The Run Out Groove and Victory. You can book a place here on Eventbrite
This is the second part of our interview with him; you can find the first part here
The fourth book is on its way, tell us about that.
It’s called Flip Back and it deals with the British psychedelic folk scene of the late 1960s and early ’70s. Among my research for that I read an excellent book called White Bicycles by Joe Boyd.
What were some of your musical inspirations from the 60s and 70s?
Bob Dylan, the Rolling Stones, Steely Dan, Neil Young, Joni Mitchell.
I read in another interview with you that each of the Vinyl Detective novels has a spirit animal. How does that help you with writing the novels and why is this important to you?
It’s just something that arose without me thinking about it. I am fascinated by animals and wildlife, and very fond of them, and appalled by their treatment at the hands of humans. So that just sort of naturally wove its way into my writing. When I became aware of what I was doing, I made it more deliberate. And started referring to it by that ‘spirit animal’ malarkey… though it’s certainly malarkey I genuinely subscribe to.
Are there any plans to make the books into a TV series or film?
My agent regularly gets enquiries, which have so far led to one serious meeting but nothing further than that.
And finally, we can’t leave without mentioning Doctor Who. You worked as a show runner and script editor on the TV series, and have since written many of the Doctor Who comics. What was it like to work on such a classic show?
It was a privilege. It was also the gift which keeps on giving, in the sense that it’s given me a calling card which never expires, and has led to me meeting a lot of interest people and travelling all over the world.
Were you a fan before you worked on the show?
You have written novels, audio dramas, television scripts, graphic novels and also several stage plays. Which genre do you prefer?
Each has its own particular appeal and its own unique challenges. I like switching from one to the other. But my two favourites are the novel, for its intimacy and clarity of expression, and the stage play for the magic it conjures up through taking place in real time, with real people, in a shared space.
The graphic novel Sabrina by Nick Drnaso has been longlisted for the Booker Prize this year. How easy or difficult do you think it might be to judge a graphic novel against a traditional novel?
I don’t see how you can compare the two forms.
What three pieces of advice would you give any aspiring writers out there?
Keep your covering emails very brief. Give your characters interesting names. Have your work read by people you know, whom you can trust to be ruthless — or at least honest — and seriously consider their feedback before you send it out and waste the time of an agent or editor.
What’s next for you?
Finishing the fourth Vinyl Detective, then rewriting a stage play, then writing a new stage play, then writing a graphic novel for the Rivers of London series, which I co-write with Ben Aaronovitch.
Thank you for your time Andrew and very much looking forward to meeting you on 24 September at Brompton Library.