We are very lucky to be hosting an event later this month with author, Sarah Matthias. This will take place later today (Monday 23 April), which happens to be World Book Night, at Brompton Library. For more information about the event and how to book, visit our website
Sarah has very kindly answered some of our questions about her book, ‘A Berlin Love Song’ and we will publish her responses in three parts – this is the second part and the third and final part will follow next Monday. You can catch up with the first and second part here
We hope you enjoy them, so over to Sarah…
A Berlin Love Song is about a travelling circus. What’s so alluring about circuses?
I love the circus. I’ve always found it romantic although I’m a great animal lover and I’m very glad we don’t use performing animals any more. Research into the circus in Germany was one of the most enjoyable parts of my research for the book. It was light relief from the Auschwitz research and what it was like to be bombed and how it felt to be in a tank during a horrific battle. There was so much I had to read that was upsetting, so learning about how to fly the trapeze and ride horses bareback was something of a relief. I actually watched the most amazing film about the Flying Codonas called Swing High that you can see on You Tube so I have actually seen Alfredo Codona perform his triple somersault. I also saw him perform it in the film Vaudeville where the Codonas were doubles for the actors. I watched this particular sequence over and over again when I was trying to describe what it looked like and what it felt like to be up in the dome of the Wintergaten Theatre in Berlin about to swing out over the audience below. I also thoroughly enjoyed researching Fredy Knie, the owner of the Swiss Circus where my characters find employment during the war. His circus really did appear at the Wintergarten during the winter of 1942/43 when the Wintergarten was bombed. He really was in his twenties at the time and one of the most famous horse trainers in Europe. He had a reputation for kindness to animals and that’s why he got on so well with Lili and her family. I hope I’ve done his blessed memory justice in my fictitious portrayal of him.
When I was a girl I loved the song: Gypsies Tramps and Thieves by Cher. I used to lie in bed at night listening to it on my record player and imagining the life of a travelling show. If you look at the beginning of the chapter in A Berlin Love Song called Circus Petalo you might hear strains of this great song:
I was born in the wagon of a travellin’ show
My momma used to dance for the money they’d throw
Papa would do whatever he could
Preach a little gospel
Sell a couple bottles of doctor good
Gypsies, tramps and thieves
We’d hear it from the people of the town
They’d call us gypsies, tramps and thieves
But every night all the men would come around
And lay their money down …
My chapter entitled Circus Petalo begins: I was born in a wagon in the middle of a show, amid the smell of canvas and sawdust, greasepaint and cheap perfume …
What were the hardest aspects of creating this book? What were the most satisfying?
The hardest thing about creating this book was the amount of really gruelling research I had to do – research that kept me awake at nights and sometimes made me despair of human nature. Man’s inhumanity to man and what seemingly ‘normal’ people are capable of doing to each other is always horrifying and sometimes I felt I couldn’t read another word about the subject. My visit to Auschwitz was harrowing, especially as I had by that time read so much about the camp that my imagination was running riot.
Then when I started writing, I had the very difficult task of how to express this horror and suffering in a story that on the one hand shone a light on this ghastly subject but was also uplifting and hopeful. Because during my research into the Holocaust I also came across so many stories of heroism, true selflessness and hope in that darkest of times, that I felt I wanted to share with my readers. Working out how to combine together the two aspects of this heartbreaking time in a narrative, without belittling the one and over-romanticizing the other, was a real challenge for me. I hope I’ve succeeded. I hope it not only raises awareness about a topic I feel has often been overlooked, the Romani Genocide, but also expresses my own world view – that it is and has to be possible to find hope, wonder and love in the midst of despair, degradation and hatred.
The most satisfying and enjoyable parts of writing this book were possibly recreating the folk Romani tales. I read lots of wonderful Romani folk tales but none of them seemed to fit exactly into my story so I set about using authentic ones but amalgamating and rewriting them for my own story. I didn’t feel bad about this because the nature of folk tales is that people pass them on with their own embellishments for their own reasons. Folk tales often reflect the concerns of a particular people at a particular time and so mine, whilst firmly rooted in the Romani tradition, have my own stamp on them. I really loved writing them. I also very much enjoyed writing the dialogue, particularly amongst the Hartmann children. I suppose as a mother of 4 young adults myself I have listened to countless family ‘disagreements’! I know how young people talk to each other and how merciless they can sometimes be in their teasing of each other – sometimes cruel. Writers usually have to use their imagination to create unknown worlds but I didn’t have to look much further than my own kitchen table for a rich source of dialogue for the Hartmann children!
We hope you enjoyed our interview with Sarah, and hope to see you at the event this evening. Do book a place – it’s free- via the link at the top.