To celebrate the 200th anniversary of the publication of Jane Austen’s Pride and Prejudice, Triborough Reference Librarian, Debby Wale delved into Chelsea Library’s Costume Collection to bring us some more Regency gems.
La Belle Assemblée was a ladies magazine published between 1806-1837, founded by John Bell (1745-1831) who ran Bell’s Circulating Library. Holdings at Chelsea Library covers most of the period.
The magazine has fashion plates, celebrity profiles, sheet music, poetry, fiction, news items and some scientific articles. It was almost a cross between the modern day Vogue, Hello! and a broadsheet Sunday supplement.
Fanny Austen Knight, a relative of Jane Austen had a copy of the magazine, so Jane Austen would be likely to have been familiar with the title.
A chapter in Jane Austen In Style by Susan Watkin is called ‘A society of grace and manners’
‘Though she was not especially fond of listening to music, Jane Austen, like many of her female characters, took her piano playing seriously, and made time to practice every day. It was into these music books that she copied much of her music by hand.’
The close proximity and physical contact of the dancers shocked many when the Waltz first came into fashion. However, La Belle Assemblée published this sheet music for a Waltz, Fly Away Care in January 1812.
Each month the magazine published a Biographical sketch of Illustrious Ladies. This article was published in August 1811 refers to an ancestor of Diana, Princess of Wales.
Lavinia Countess of Spencer (née Bingham) was the daughter of the 1st Earl of Lucan. She is described as
‘a lady no less distinguished for the family she has married into than for that which she is descended’
She married George John Spencer, 2nd Earl Spencer. His sister Lady Georgiana married the Duke of Devonshire and became a famed Whig hostess. The story of this difficult marriage was made into a film released in 2008, The Duchess, starring Keira Knightley and Ralph Fiennes.
In Autumn 1811, La Belle Assemblée printed picture of the Prince of Wales conservatory at Carlton house, with brief description. Very Homes and Gardens!
La Belle Assemblée also wrote about the Drury Lane Theatre which opened in 1812.
Not only were there suggestions of fashionable places to see and be seen, but also what to wear.
So, if you fancy whiling away and hour or two as a Regency lady of leisure, pop into Chelsea Reference Library and sit in one our comfy chairs and ask for La Belle Assemblée (or Bell’s Court and Fashionable Magazine Addressed Particularly to the Ladies) They are fragile, so are kept in our store. Regrettably, tea and cucumber sandwiches without the crusts are not supplied!
To celebrate the 200th anniversary of the publication of Jane Austen’s Pride and Prejudice, Triborough Reference Librarian, Gillian Nunns looked at the history behind Mr Darcy’s wardrobe in Chelsea Library’s Costume Collection.
In the Regency period, Paris was no longer the centre of men’s fashion that it had been – velvets, lace and satins went to the guillotine as fashionable gentlemen distanced themselves from the aristocracy. Also, Europe was now at war, and as England became cut off from France a style of men’s tailoring developed in England that was to dominate the European fashion scene during the Regency period. The Regency period in England gave birth to the Dandy, a style that has its routes in more practical and masculine pursuits than the French Court.
The precursor to Regency men’s fashion in England was the Macaroni, a style that the Dandy reacted against. Here is a great image of a Macaroni which we found in a book published in 1884 called Civil Costume in England from William to the Regency by Lewis Wingfield.
And here is another great example that we found in The Saville Row Story by Richard Walker.
The Macaroni’s fashion tastes were aristocratic and French in origin, with frivolous and extravagant styles: hair piled up high with small French hats on top, colourful short breeches, large and sparkly buckles and buttons and tightly fitting coats. The Macaroni is part of a mood of extravagance that those with more robust tastes opposed after the French Revolution.
The beginning of a more masculine style has its origins in the outdoor pursuits of an English country gentleman, for whom lace ruffles, powdered hair and embroidered coats were wholly unsuitable. The influence of this style was spurred on not only by disorder in France but also by George Brummell, who made notable contributions to English costume, and was the original Dandy. Here is a page from The Saville Row Story by Richard Walker, describing Brummell and the extent of his influence. He describes Brummell’s dressing routine as
‘a mesmerizing performance of several hours that drew the Prince to the Beau’s home in Chesterfield Street. The Prince was now the pupil and Brummell the arbiter of taste’
And here he is in an etching and mezzotint by Robert Dighton, 1805, that we found in Dandies by James Laver.
The clothes of a Dandy are simple but impeccably cut. Notable features include long trousers, which would previously have been scorned in the world of fashion, as well as impeccably tied neckties, top hats and coats that are practical for riding horses on a country estate. This is the fashion that Fitzwilliam Darcy in Pride and Prejudice would have been influenced by, as we can see in this illustration by Hugh Thomson in a 1894 edition of the book, depicting Elizabeth and Mr. Darcy at Charlotte’s house.
As well as in England, the style of the Dandy spread across Europe. Here are some images of the Dandy’s style as interpreted in France, also in Dandies by James Laver.
As well as having a huge influence on fashion in the Regency Period, Brummell’s character has been popular ever since, and there are lots of anecdotes and satirical accounts of his activities such as in a story found in the February 1902 edition of the Gentleman’s Magazine, entitled ‘The King of the Dandies‘ by Charles Wilkins.
‘My dear fellow’ exclaimed Brummell, ‘Aw – where did you pick up that extraordinary affair you have upon your back?’
The Prince laughed good-humouredly as he added, ‘It is not your fault, mine goot sir. You shall not be to blame because a devoid-of-conscience influencing tradesman deceives you when you purchase from him his delusive fabrics.’
‘Is there anything the matter with my coat?’ I inquired in dreadful confusion.
‘Coat!’ exclaimed Beau Brummell.
‘Coat! Cried his friends in chorus, all in extreme astonishment.
‘It’s no more a coat than a cauliflower-if it is, I’ll be d—d!’ cried Brummell himself, everyone continuing to scrutinise the garment.
After finding this story, we decided to have a look in the Gentleman’s Magazine from 1813, to see what a fashionable gentleman would have been reading about in the year that Pride and Prejudice was published. We came across this article in the Abstract of Foreign Affairs in September, which is an article about what must be a very early submarine?
‘In the American papers it is asserted that ‘A Gentleman at Norwich U.S. has invented a diving boat, which by means of paddles, he can propel under water at the rate of three miles an hour, and ascend and descend at pleasure. He has been three times under the bottom of the Ramilies, off New London. In the first attempt, after remaining under some time, he came to the top of the water like the Porpoise for air, and, as luck would have it, came up but a few feet from the stern of the Ramilies […].’
The article goes on to describe how the diving boat inexplicably decides to use a torpedo to ‘perforate a hole through her copper’.
We were also interested to come across review of Emma, by ‘the writer of Pride and Prejudice’ in the Review of New Publications section in September 1916’s Gentleman’s Magazine. It says that “… a good novel is now and then an agreeable relaxation from severer studies. Of this description was Pride and Prejudice…”
And goes on.
‘ […]If Emma has not the highly-drawn characters in superior life which are so interesting in ‘Pride and Prejudice;’ it delineates with great accuracy the habits and manners of a middle class of gentry; and of the inhabitants of a country village at one degree of rank and gentility beneath them.’
And finally, in a book called The New English Dandy by Alice Cocolini, we found some great images of modern day Dandies.
And even some advice for how to tie a good necktie!
To celebrate the 200th anniversary of the publication of Jane Austen’s Pride and Prejudice, Triborough Reference Librarian, Debby Wale has found some Austen connections with Chelsea as well as some amazing Regency fashion images.
Jane Austen was born on 16 December 1775 at Steventon, Hampshire. Her father was the Rector of Steventon and Deane. At the age of thirty-six she emerged from relatively sequestered existence to becoming a published novelist. In 1801 the family moved to Bath. In 1809 the Austen sisters and their mother settled in Chawton and Jane Austen’s career as a published author began.
In Chelsea Past, Barbara Dennydescribes Jane Austen’s association with Chelsea as transitory, but letters to her sister Cassandra describes a musical evening. She lived with her brother Henry and his wife at 654 Sloane Street from Spring 1811 for two years. Between 1813 – 1815 she visited him when he moved to 23 Hans Place.
Chelsea by Thea Holme describes from Jane’s letters a party at Sloane Street with 66 guests and musicians arriving in two Hackney coaches.
Regency fashion was governed by a strict social etiquette. For women, there were outfits for every activity. Ladies might change several times a day to suit the hour or the occasion. Magazines such as Belle Assemble (La Belle Assemblée or, Bell’s Court and Fashionable Magazine Addressed Particularly to the Ladies) had fashion plates which were a guide to suitable attire for every circumstance.
Jane Austen was a prolific letter-writer and these letters give an interesting insight into her life. One activity suitable for a lady was walking. More promenade than serious hiking, there is a reference in one of her letters.
Your lilacs are in leaf, ours are in bloom. The horse-chestnuts are quite out, and the elms almost. I had a pleasant walk in Kensington Gardens on Sunday with Henry, Mr. Smith, and Mr.Tilson; everything was fresh and beautiful.
Jane Austen to Cassandra 25 April, 1811
These pictures from Chelsea Library’s costume collection give an idea of the style Jane or her characters, might have worn, or aspired to wear. They are from the magazine La Belle Assemblée which Chelsea Library has more or less a complete archive.
Kensington Garden Fashionable Promenade Dress, July 1811 A round robe of jacconot muslin, with a bodice of violet sarsnet, trimmed with rich silk Brandeburgs of Austrian green, a half pelisse of fine transparent muslin, with Bishop’s sleeves, fancifully tied with green riband. A Hyman hat of purple brocaded ribband and lace, ornamented with a green military plume; a Chinese parasol of purple sarsnet, shot with green; gloves and shoes of York tan.
Walking Dress, June 1811 A pelisse of pink sarsnet, lined with white, and ornamented with rich silk Brandenburg trimmings of correspondent pink, or pale brown; a high standing ruff round the throat,; a Persian mantle of pale blue, or white, thrown over the dress. A basket hat of straw, ornamented with a demi-wreath of half blown roses. Shoes of blue kid; gloves of York tan.
Promenade, or Carriage Walking Costume, November 1811 A fawn colour of amber velvet three quarters pelisse; faced and ornamented around the bottom and sleeves with Regency purple velvet and faced down the waist, shoulders and half way down the side of the skirt, with rich cordons of purple, terminating with a tassel; a purple velvet collar stands up, is rounded behind, and comes down to a point below the throat; the cuffs are of purple velvet, trimmed with fine blue lace. Over the sleeve is a demi-sleeve divided; between which division small purple ornaments, in the form of aiguillettes, but without tags, are sometimes introduce when this dress is made of twilled sarsnet instead of velvet.
Promenade Dress, August 1811 A round robe of India jaconot, trimmed around the bottom with ribband; a mantle of fine India muslin, or white crape, with ficher front, ornamented with drawn ribband and tassel, and confined to the waist on the same side. A village hat of white chip, with a crown of blended crape and sarsnet, bound and tied under the chin with ribband, over a lace cawl, and raised form the face by a short wreath of French roses. Parasol and ridicule of purple and green shot silk; gloves of York tan; Roman boots of white morocco.
Regency Walking Dress, February 1811 A pelisse of scarlet Merino cloth, buttoned down the front and up the arm with small gold buttons; the collar and cuffs of purple velvet; but during the mourning, of black, striped with scarlet; an ermine tippet pointed in the back, and muffet of the same. A bonnet of scarlet cloth, turned up with velvet, and formed to come over the face; the veil passed through the front and brought round the neck. Boots of scarlet cloth trimmed with velvet.