Brompton Graphic Novel Reading Group- The Bad doctor

Hello and welcome to the Brompton Library Graphic Novel Reading Group.

For the next session, Monday 8 April, 6:30pm, we will be discussing Doctor Ian Williams’ illustrated anecdotes of The Bad Doctor.

Cartoonist and Dr Ian Williams takes his stethoscope to Dr Iwan James, a rural GP in need of more than a little care himself. Incontinent old ladies, men with eagle tattoos, traumatised widowers, Iwan’s patients cause him both empathy and dismay, further complicated by his feelings for his practise partners: unrequited longing for Dr Lois Pritchard and frustration at the antics of Dr Robert Smith, who will use any means to make Iwan look bad in his presence. Iwan’s cycling trips with his friend and mentor, Arthur, provide some welcome relief for him.

BadDoctor1

“The territory of doctor as patient has been visited before, but Dr. Williams’s iteration and its resolution are as subtle and thought provoking as the best of them, with the always worthwhile message that the roles into which humans sort themselves are as mutable as the rituals they accept and reject, and the calls for help they choose to hear or not.” -The New York Times

BadDoctor2

“Replete with sometimes delicate, sometimes explicit observations about the foibles of human nature and the bureaucracy of healthcare, The Bad Doctor combines wickedly black humour with subtle characterisation that never fails to engage the audience’s empathy.” -Broken Frontier          

If you have any other suggestions for the reading list, then please let me know and we’ll try our best to accommodate. So far we have the following for consideration:

  • Casandra Darke
  • Cry Havoc
  • Full Metal Alchemist
  • Barakamon
  • Hellblaizer
  • V for Vendetta
  • Jaco the Galactic Patrolman
  • The Legend of Wonder Woman
  • The Flintstones Vol. 2: Bedrock Bedlam
  • Uncanny X-Force Vol. 1: Apocalypse Solution
  • My Brother’s Husband, Volume 1
  • The Best We Could Do: An Illustrated Memoir

The reading group takes place on the second Monday evening of every month. There may be a pub quiz afterwards if you want to join in!

See you there! Bring snacks.

David Bushell
Library Customer Services Officer
Brompton Library

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Brompton Library Graphic Novel Reading Group

Hello and welcome to the Brompton Library Graphic Novel Reading Group mailing list!

For the next session, MONDAY 11 March, 6:30pm, we will be discussing Marjorie Liu’s contemporary fantasy adventure fable Monstress.

Set in an alternate matriarchal 1900’s Asia, in a richly imagined world of art deco-inflected steam punk, Monstress tells the story of a teenage girl who is struggling to survive the trauma of war, and who shares a mysterious psychic link with a monster of tremendous power, a connection that will transform them both.

Monstress GN

“Marjorie Liu and Sana Takeda take eastern and western comics storytelling traditions and styles, and create something wholly their own and remarkable: a beautifully told story of magic and fear, inhumanity and exploitation, of what it means to be human and the monsters we all carry inside us. Also, some of the best cats in comics. A delight.” – Neil Gaiman

“If you want big, beautiful, terrifying, violent magic, Monstress is your next favourite comic.” – Cosmopolitan

If you have any other suggestions for the reading list, then please let me know and we’ll try our best to accommodate. So far we have the following for consideration:

  • Casandra Drake
  • Cry Havoc
  • Full Metal Alchemist
  • Barakamon
  • Hellblaizer
  • V for Vendetta
  • Jaco the Galactic Patrolman
  • The Legend of Wonder Woman
  • The Flintstones Vol. 2: Bedrock Bedlam
  • Uncanny X-Force Vol. 1: Apocalypse Solution
  • My Brother’s Husband, Volume 1
  • Bad Doctor by Ian Williams
  • Out of Nothing by Dan Locke
  • The Best We Could Do: An Illustrated Memoir

The reading group takes place on the second Monday evening of every month. There may be a pub quiz afterwards if you want to join in!

See you there! Bring snacks.

David Bushell
Library Customer Services Officer, Brompton Library

Brompton Library Graphic Novel Reading Group

For the next session, MONDAY 11 February, 6:30pm, we will be discussing Craig Thompson’s romantic and philosophical epic BLANKETS.

Wrapped in the snowfall of a blustery Midwestern winter, Blankets is the tale of two brothers growing up in rural isolation, and of the budding romance between two young lovers. A tale of security and discovery, of playfulness and tragedy, of a fall from grace and the origins of faith, Blankets is a profound and utterly beautiful work.

blankets

‘Moving, tender, beautifully drawn, painfully honest and probably the most important graphic novel since Jimmy Corrigan.’  – Neil Gaiman

‘One of the greatest love stories ever written and surely the best ever drawn.’ – Joss Whedon 

If you have any other suggestions for the reading list, then please let me know and we’ll try our best to accommodate. So far we have the following for consideration:

  • Casandra Drake
  • Cry Havoc
  • Full Metal Alchemist
  • Sleepwalk
  • Barakamon
  • Hellblazer
  • V for Vendetta
  • Jaco the Galactic Patrolman
  • The Legend of Wonder Woman
  • The Flintstones Vol. 2: Bedrock Bedlam
  • Uncanny X-Force Vol. 1: Apocalypse Solution
  • My Brother’s Husband, Volume 1
  • Bad Doctor by Ian Williams
  • Out of Nothing by Dan Locke
  • The Best We Could Do: An Illustrated Memoir
  • Monstress

The reading group takes place on the second Monday evening of every month. There may be a pub quiz afterwards if you want to join in!

See you there! Bring snacks.
David

Brompton Graphic Novel Reading Group- SLEEPWALK

Happy New Year from the Brompton Library Graphic Novel Reading Group

For the next session, MONDAY 14 January, 6:30pm, we will be discussing the stylish Adrian Tomine compilation SLEEPWALK.

An old woman returns alone to the spot where as a young girl she used to meet her lover on his daily lunch break. An unsuspecting couple find themselves drawn to a window to watch the neighbours’ kinky play turn into something more sinister. Twin teenage sisters make an awkward pilgrimage with their ageing-hippie father. A young guy misses his flight and returns to observe a kind of alternate version of his own life, one from which he seems to have vanished. Sleepwalk is a classic Tomine collection, a series of vignettes that scratch beneath the surface of seemingly well-adjusted lives.

sleepwalk gn

“Like Woody Allen in his prime, Tomine is a master storyteller with a keen understanding of life’s bittersweet contradictions, and his meticulous drawing style further evokes the confusion and loneliness that his characters experience as they navigate the murky waters between adolescent fantasy and the less glamorous reality of adulthood.” – Village Voice

 If you have any other suggestions for the reading list, then please let us know and we’ll try our best to accommodate. So far we have the following for consideration:

  • Casandra Drake
  • Cry Havoc
  • Full Metal Alchemist
  • Barakamon
  • Hellblazer
  • V for Vendetta
  • Jaco the Galactic Patrolman
  • The Legend of Wonder Woman
  • The Flintstones Vol. 2: Bedrock Bedlam
  • Uncanny X-Force Vol. 1: Apocalypse Solution
  • My Brother’s Husband, Volume 1
  • Bad Doctor by Ian Williams
  • Out of Nothing by Dan Locke
  • Blankets by Craig Thompson
  • The Best We Could Do: An Illustrated Memoir
  • Monstress

The reading group takes place on the second Monday evening of every month. There may be a pub quiz afterwards if you want to join in!

See you there! Bring snacks.

David Bushell
Library Customer Services Officer

Brompton Graphic Novel Reading Group- Monster by Naoki Urasawa

The brompton Graphic novel reading group will be meeting on Monday 10 December, 6:30pm.

Where they will be discussing volume 1 of the psychological Manga thriller: MONSTER by Naoki Urasawa:

Everyone faces uncertainty at some point in their lives. Even a brilliant surgeon like Kenzo Tenma is no exception. But there’s no way he could have known that his decision to stop chasing professional success and instead concentrate on his oath to save peoples’ lives would result in the birth of an abomination. The questions of good and evil now take on a terrifyingly real dimension. Years later, in Germany during the tumultuous post-reunification period, middle-aged childless couples are being killed one after another. The serial killer’s identity is known. The reasons why he kills are not. Dr. Tenma sets out on a journey to find the killer’s twin sister, who may hold some clues to solving the enigma of the “Monster.

Monster_GN_Cover

 

I loved Monster, and I cannot believe it took me this long to read. I’ll be back for more, very soon” – thebooksmugglers.com

Monster appears primed to take the Western world by storm the same way it did Japan” – IGN

 

If you have any other suggestions for the reading list, then please let me know and we’ll try our best to accommodate.

 

So far we have the following for consideration:

  • Sleepwalk
  • Casandra Drake
  • Cry Havoc
  • Full Metal Alchemist
  • Sleepwalk
  • Barakamon
  • Hellblaizer
  • V for Vendetta
  • Jaco the Galactic Patrolman
  • The Legend of Wonder Woman
  • The Flintstones Vol. 2: Bedrock Bedlam
  • Uncanny X-Force Vol. 1: Apocalypse Solution
  • My Brother’s Husband, Volume 1
  • Bad Doctor by Ian Williams
  • Out of Nothing by Dan Locke
  • Blankets by Craig Thompson
  • The Best We Could Do: An Illustrated Memoir
  • Monstress

The reading group takes place on the second Monday evening of every month. There will be a pub quiz afterwards if you want to join in!

David Bushell, Library Customer Services Officer

 

Reality more astonishing than fiction

This is an epilogue to the Chelsea reading event – Reality more astonishing than fiction, where attendees asked me to recommend the WWI books about women that I used for my research.

We read extracts from letters and diaries – which were sad, feisty and funny.

Elsie Bowerman captured everybody’s imagination.  In the style of Indiana Jones, Miss Brown and Miss Bowerman clambered onto a moving train and saved the Scottish Women’s Hospital’s equipment.

Mabel Dearmer, author and illustrator, kept a diary and sent letters home from Kragujevac (Serbia) in spring 1915. She joined the Mabel Stobart’s Hospital unit. Her husband, Percy Dearmer served as a chaplain with the unit. Several women – nurses, doctors, orderlies – from various British medical missions died in Serbia during the typhus epidemic in 1915. Mabel Dearmer was one of them. See the extract from her letter from 6th June 1915.

Finally, if you would like to hear more about Scottish Women’s Hospitals and Dr Elsie Inglis, come to my talk at Women’s Library, LSE, on 9th November, 1-2pm.

Our next Reading event is on Tuesday, 11th December at Chelsea Library, (contact the library for more details), where we will visit Mr Scrooge. Come and join us reading extracts from “A Christmas Carol”.

by
Zvezdana Popovic

 

 My recommended  book listWomen and WWI / Suffragists and Suffragettes

  • Kate Adie, Fighting on the home front. The legacy of women in World War One.
  • Lucinda Hawksley: March women march
  • Simon Webb, The Suffragette Bombers. Britain’s Forgotten Terrorists.
  • Elisabeth Shipton, Female Tommies: The Frontline Women of the First World War

About Flora Sandes:

  • Louise Miller, A Fine brother. The life of Captain Flora Sendes, Alma Books, 2012.
  • (Book translated by LAGUNA “Naš brat”)

About Dr Elsie Inglis and Scottish Women’s Hospitals:

  • Leah Leneman: In the Service of Life. The story of Elsie Inglis and the Scottish Women’s Hospitals. Edinburgh: The Mercat Press, 1994.
  • Leah Leneman, Elsie Inglis. Founder of battlefront hospitals run entirely by women, NMSE, 1998
  • Eileen Crofton : Angels of Mercy: A Women’s Hospital on the Western Front 1914 1918, Birlinn Ltd, 2013.
  • Mikic, translated by Dr. Muriel Heppell: The Life and Work of Dr. Katherine S. MacPhail
  • Eva Shaw McLaren: Elsie Inglis. The woman with the torch.
  • Monica Krippner, The Quality of Mercy. Women at War. Serbia 1915-18.
  • Isabel Emslie Hutton: With a Woman’s Unit in Serbia, Salonika and Sebastopol.
  • Mabel Stobart, The Flaming Sword in Serbia and Elsewhere

Most of these books can be borrowed in local libraries and some of old ones can be read online, on the Project Gutenberg Free Books website.

Websites and documentary films

 

Books to films: Lady Macbeth

Shakespeare’s plays aren’t just read and studied at school, college or university. Reading groups, extension courses, lifelong learning, theatre workshops, before going to see a play at the theatre – and more.

Shakespeare has inspired the work of so many creative people: from Mendelsohn, Britten, Shostakovich to Lou Reed, Dire Straits and Arctic Monkeys. From Herman Melville, John Keats, Charles Dickens to Aldous Huxley, Iris Murdoch and Ian McEwan. From Kurosawa to Polanski. From the Pre-Raphaelites to Gillian Wearing. Every age, indeed every generation seek to make Shakespeare their own.

Walk into any library and if you are prepared to explore, you can find his influence everywhere. This can be seen in the countless films based on his work.

Lady Macbeth 2017 

This is a film based on Nikolai Leskov’s 1865 novel, Lady Macbeth of the Mtsensk District , itself inspired by Shakespeare’s play, Macbeth. The film is set in the north of England during the nineteenth century, whereby the Lady Macbeth character is brought centre-stage in this alternative narrative to the Shakespearean text. Gone is the witchcraft from Shakespeare’s Macbeth – the only ‘spirits that tend on mortal thoughts’ – here in William Oldroyd’s film, arise from the emptiness of a bourgeois life, in which Lady Macbeth finds herself trapped and powerless in a male dominated environment. There are also parallels here to Flaubert’s, Madame Bovary.

As the subject of an arranged marriage deal, acquired by the father for his son, along with a small piece of land, that he describes as ‘not fit for a cow to graze upon’, Lady Macbeth is installed into a stifling and austere household, where she is abandoned for long periods of time by a callous husband. She is left to maintain the house and servants following the demands of the father, who expects a submissive and obedient daughter in-law. There are no books to be seen and many of the early film shots see her peering out of the window onto a barren landscape, or asleep for long periods on the sofa. She appears completely isolated in this new situation.

Within this repressive and patriarchal environment, we are left to speculate as to the kind of character she is and how she will respond. Her responses at first are reluctant obedience and boredom, but the performance of Florence Pugh as Lady Macbeth is captivating in that as time goes on, we witness signs of insolence: mocking facial expressions and a contemptuous intonation in her voice, when addressing her husband and father in-law. The husband then departs for an extended period, in order to sort out problems at the family colliery and Lady Macbeth is left alone with the servants. At this point, her authority is challenged by an incident among the servants, and then we see her take control.

She begins a passionate love affair with the groomsman. As time goes on, like Shakespeare’s Lady Macbeth, her ‘vaulting ambition’ leads to a murder – in this case, the husband. Again, there is excitement in Pugh’s performance, never being quite sure if she is a victim of circumstance, responding perhaps naively as the repressed bourgeois housewife to events spiralling out of control, or whether there is a more psychopathic vein running through her actions. This loss of control is something we witness in Shakespeare’s Macbethwas he (Macbeth) ever really, ‘full of the milk of human kindness’? or have circumstances conspired around him to bring about a tragedy? – a key concern in Shakespeare’s play. Here too, innocence and guilt seem to play out, side by side. Casting a black maid who, rarely speaks and a mixed-race actor as the groomsman, adds a racial tension to the power dynamics of repression and rebellion that are described by the shifting loyalties among the principal characters of the film.

The visual look of the film focuses on textures: the tactile feel of starched fabrics on soft skin, rain on slate and stone and naked wooden floorboards sounding to the pressure of impatient male footsteps. There is also a clearly defined soundscape to the film, that captures the rustle of fabrics, the chink of chinaware and the howling winds on the heath outside the house – all these effects build a formal language that serves to emphasize common themes of vulnerability and violence, power and submission.

In addition to this film, you can find other adaptations on Shakespeare’s work in our libraries and of course most of his plays and poetry including some of the literary criticism that goes with them – Shakespeare is, of course, a huge industry. The children’s library also has some of his plays translated into short stories, Manga comics etc.

Richard, Brompton Library

Books to films: The Little Stranger

This month, Fiona from Brompton Library is reviewing Sarah Waters, The Little Stranger which has just been released as a film and will be read and discussed by the library’s reading group in November.

The book

Set in post-war rural Warwickshire, Dr Faraday is called to attend a sickly maid at Hundreds Hall who believes that the house is haunted. Faraday has a sentimental attachment to the house as his mother had been in service their as a maid and once took him there when he was a child to a garden party where he was presented with a medal by the lady of the house, Mrs Ayers. As Faraday gets closer to the Ayers family, events start to unravel. Strange and inexplicable happenings that suggest a ghost from the past is haunting the family and as their financial situation worsens and the house starts to fall apart around them, the “haunting” intensifies.

Behind the story of the house is also a love story between Caroline Ayers and Dr Faraday and behind all of it is the story of post-war Britain, the introduction of the NHS and how that changed the lives of ordinary people. There is a strong contrast between the lives of the Ayers family at Hundreds Hall where, in the decaying house, guests dress formally for dinners served to them by a maid while local people, still wary of modern medicine, are dying young from curable ailments and too poor to be able to pay the doctor.

The book is a gripping read. I read half of its 500 pages on a flight and was completely engaged by the writing, the atmosphere and the story. The relationship between Caroline Ayers and Dr Faraday is beautifully written and touchingly awkward and I liked the way the book dealt with several themes at once while remaining a really good story well told, and very creepy in parts. At one point, Dr Faraday says “All this house needs is a dose of happiness”. You get a sense that they are both so lonely in their different ways and that everything could change for them if they could make it work. I felt that the more a I read the book the more I also wanted the house to be rescued and saved from ruin as the Dr does. It works really well that Waters does not use tricks to build up the adrenalin of the story and the overall pace is one of gradual decline, so if you are wanting to read a ghost story this may not be for you, and the end has a twist that creeps up on you so quietly that you almost can’t quite believe it.

The film

The film brings the book to life visually. It really captures how I imagined the house to look – its interiors are perfectly done and the view of the house from the road leading up to it were very evocative of the book. The house is very grey and you get a sense that the seasons change outside while the house is stuck in time. Although billed as a horror, the film leaves out much of the references to ghosts that are made in the book, but is more like a ghost story. As the film is much shorter than the book, the suspense builds much more quickly and there were some chilling moments, but on the downside it meant that we didn’t spend much time with the characters or see their relationships develop.

Charlotte Rampling is perfect as Mrs Ayers while saying very little, she appears icy and fleeting throughout the house. Ruth Wilson is great as Caroline Ayers, bringing to life the earthy and practical daughter of the house who holds the story together. The casting of Domhnall Gleeson let the film down a bit for me. Dr Faraday is in his 40s in the novel which lends a fatherly aspect to the middle-aged, unmarried doctor that would not be possible between Gleeson and Wilson as they are of a similar age (he may even be younger than her). He came across as cold and remote at the same time but lacked the warmth and drive of the Dr Faraday of the book and I wasn’t rooting for him like. Overall it’s not a bad adaptation with some great acting, a few chills and shocks and is visually very true to the book.

Brompton Library’s reading group will be discussing the book on Tuesday 6 November so why not join us? You can borrow a copy at any of our libraries.

Fiona, Brompton Library

 

The adventures of a reading group

A researcher working for a BBC World Service series, The Why Factor, contacted us to meet a book group for their latest programme “Why we forget the things we have learned“.

The Why Factor is a BBC Radio magazine programme, a series of 25 minute shows that mixes vox pop and academic specialists, brought together by a presenter.

We arranged for the show’s producer to talk to local book group members (who kindly agreed to participate), and we all met in Brompton Library’s Meeting Room .

Rather shyly, members of our group answered questions fired by the producer who held a huge microphone attached to a tiny recorder. A couple of us (blink and you miss us) were edited into the first couple of seconds of the programme before the show segued into the main essay.

ReadingAdventure
But what was most important, Brompton Library got a mention – and the programme itself was quite interesting.

I was greatly encouraged by some of the observations about forgetfulness made in the programme. Apparently forgetfulness can be the result of a creative brain flying around taking in all sorts of sensory information which can later be selected from, unless it has been forgotten …. When we are in our book group, reading novels, we are turning over the plot and sharing feelings about the characters, etc., but we are also using our creative brains, employing our memories to add snippets of our own knowledge and experience. We are finding new ways of seeing – being curious. In this way, though discussion, people can renew their interest in the novel, go back and re-read it or, if they had not quite got to the end, decide to try again and even finish it!

Quite often a good book encourages interest in the author. For example, recently, having read Penelope Fitzgerald’s The Bookshop, members of the group were able to take their interest further by accessing and reading Hermione Lee’s fascinating account of Fitzgerald’s personal and literary life – which is available from our wonderfully maintained biography store at Kensington Central Library.

With a good public library service everyone can be a researcher! Please try to remember that ….

To find out more please visit the BBC website 

Penny, Brompton Library

Interview with Andrew Cartmel: part 2

Andrew Cartmel will be at Brompton Library on Monday 24 September, 6.30pm taking about his career and work and signing copies of his Vinyl Detective crime novels – Written in Dead Wax, The Run Out Groove and Victory.  You can book a place here on Eventbrite 

This is the second part of our interview with him; you can find the first part here

The fourth book is on its way, tell us about that.

It’s called Flip Back and it deals with the British psychedelic folk scene of the late 1960s and early ’70s. Among my research for that I read an excellent book called White Bicycles by Joe Boyd.

What were some of your musical inspirations from the 60s and 70s?

Bob Dylan, the Rolling Stones, Steely Dan, Neil Young, Joni Mitchell.

I read in another interview with you that each of the Vinyl Detective novels has a spirit animal.  How does that help you with writing the novels and why is this important to you?

It’s just something that arose without me thinking about it. I am fascinated by animals and wildlife, and very fond of them, and appalled by their treatment at the hands of humans. So that just sort of naturally wove its way into my writing. When I became aware of what I was doing, I made it more deliberate. And started referring to it by that ‘spirit animal’ malarkey… though it’s certainly malarkey I genuinely subscribe to.

Are there any plans to make the books into a TV series or film?

My agent regularly gets enquiries, which have so far led to one serious meeting but nothing further than that.

And finally, we can’t leave without mentioning Doctor Who.  You worked as a show runner and script editor on the TV series, and have since written many of the Doctor Who comics.  What was it like to work on such a classic show?

It was a privilege. It was also the gift which keeps on giving, in the sense that it’s given me a calling card which never expires, and has led to me meeting a lot of interest people and travelling all over the world.

Were you a fan before you worked on the show?

No.

You have written novels, audio dramas, television scripts, graphic novels and also several stage plays.  Which genre do you prefer?

Each has its own particular appeal and its own unique challenges. I like switching from one to the other. But my two favourites are the novel, for its intimacy and clarity of expression, and the stage play for the magic it conjures up through taking place in real time, with real people, in a shared space.

The graphic novel Sabrina by Nick Drnaso has been longlisted for the Booker Prize this year.  How easy or difficult do you think it might be to judge a graphic novel against a traditional novel?

I don’t see how you can compare the two forms.

 What three pieces of advice would you give any aspiring writers out there?

Keep your covering emails very brief. Give your characters interesting names. Have your work read by people you know, whom you can trust to be ruthless — or at least honest — and seriously consider their feedback before you send it out and waste the time of an agent or editor.

What’s next for you?

Finishing the fourth Vinyl Detective, then rewriting a stage play, then writing a new stage play, then writing a graphic novel for the Rivers of London series, which I co-write with Ben Aaronovitch.

Thank you for your time Andrew and very much looking forward to meeting you on 24  September at Brompton Library.

Wesley Hall Methodist Church

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